La Cieca

James Jorden (who writes under the names "La Cieca" and "Our Own JJ") is the founder and editor of parterre box. During his 20 year career as an opera critic he has written for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He has also raised his voice in punditry on National Public Radio. From time to time he has directed opera, including three unsuccessful productions of Don Giovanni, a work he hopes to return to someday. Currently he alternates his doyenne duties with writing a weekly column on opera for the New York Observer.


….Last scene of allThat ends this strange eventful historyIs second childishness and mere oblivionSans teeth, sans eyes, sans taste…But those eyebrows aren’t going anywhere!

on October 05, 2005 at 8:15 PM

Have the years flown that fast? Well, you tell La Cieca. She just this past weekend realized that it’s been 25 years since Beverly Sills retired from singing. To put that in persepctive, the duration of her retirement (1980 – 2005) is now exactly equal to the duration of her New York City Opera career…

on October 03, 2005 at 6:45 PM

La Cieca sat through Terrence McNally‘s latest effort, Dedication, Sunday afternoon, and the best thing she can think to say about it is that this play makes a whole lot of opera librettos look like masterpieces of literature. There’s this husband and wife children’s theater team who are trying to convince a dying grande dame…

on October 03, 2005 at 2:06 PM

The recently-premiered opera The Bitter Tears of Petra von Kant is webcast by the BBC this afternoon at 2:25 New York time, a broadcast from the English National Opera. The Beeb’s website describes the work so: “Gerald Barry‘s new opera, based on the play by Rainer Werner Fassbinder, translated by Denis Calandra, exploring the tortured…

on October 01, 2005 at 2:22 PM

You know, it’s one thing to flounce around dusting the floor of a church with your silken train, the meantime flaunting your bosom to the Blessed Virgin, but it’s another thing altogether to take a heartfelt hymn like “Amazing Grace” and transform it into cheap soundtrack music. Can’t someone stop this woman?

on October 01, 2005 at 1:55 AM

Comments, requests, complaints… or other reactions to the Tristan podcasts? And for those of you listening “at home” (as opposed to on the Ipod), here’s a wonderful resource: a complete libretto of the opera with hypertext leading to an English translation and illustrations of the Leitmotiven.

on September 29, 2005 at 4:04 PM

First he lost his Grand Tier, then his Floral Hall, and now, it appears, beleaguered benefactor Alberto W. “Albert” Vilar is about to lose his UN Plaza duplex. The newly-listed apartment boasts 20 rooms, including 6 bedrooms, 10 full bathrooms, 3 powder rooms, a sun-drenched eat-in kitchen, and sweeping views of the East River, the…

on September 27, 2005 at 6:10 PM

“As I have never in life felt the real bliss of love, I must erect a monument to the most beautiful of all my dreams, in which, from beginning to end, that love shall thoroughly satiated. I have in my head ‘Tristan and Isolde,’ the simplest, but most full-blooded musical conception. With the black flag…

on September 27, 2005 at 4:29 PM

Rodgers and Hammerstein is as far as Aprile Millo is willing to cross over at Carnegie Hall, and that’s what led to the rift between her and promoter Ron Delsener — and to the cancellation of the October 14 event. La Millo tells her side of the story: NYT.

on September 24, 2005 at 2:57 PM

Sister Sieglinde summarizes the roiling controversy so far in her Diary, and the most recent whisper La Cieca has heard is, “if that rock promoter wanted Avril Lavigne, he should have hired Avril Lavigne; Aprile is an opera singer.” Among the rumors La Cieca doesn’t believe: Millo is afraid to sing high notes. [Duh, she…

on September 23, 2005 at 2:39 PM

La Cieca just heard this on opera-l just now, and checked the Ron Delsener Presents web site, which states, yes, “this show has been canceled.” No idea why, but La Cieca will ask around. Update: a source close to the Delsener organization has told La Cieca that the promoter and the artist had “artistic differences,”…

on September 22, 2005 at 6:36 PM

Starting tonight on “Unnatural Acts of Opera,” something of a departure, in more ways that one. To begin with, it’s La Cieca’s first snippet show, featuring individual scenes and arias instead of the more familiar whole acts. The other strange part about this show is that it features the type of singer La Cieca doesn’t…

on September 21, 2005 at 8:21 PM

“Tell me, Roberto, does this costume make my manly butt look big?” Speaking of which, has Anthony Tommasini started writing under an assumed name?

on September 21, 2005 at 6:17 PM

A close reading of Paul Kellogg‘s announcement of his resignation from the NYCO suggests to La Cieca that there’s some kind of major bad news that’s being kept secret here. I’m thinking that maybe it’s yet another setback in building that new opera house. To be perfectly frank, La Cieca has come to the conclusion…

on September 15, 2005 at 8:05 PM

Which mega-manager went on a quest to fleece other agents of the most glittering stars on their rosters, but managed to sign only one medium-major name — a soprano whose star vehicle at a swanky summer festival was almost immediately scuttled in favor of a Gilbert and Sullivan revival? (A pity this soprano’s repertoire doesn’t…

on September 15, 2005 at 6:57 PM

Maria Guleghina‘s first Vespri Elena. Hurricane Katrina. You write your own joke. From Playbillarts.

on September 07, 2005 at 4:38 PM

It certainly is not news that lesbians are pretty handy around the opera house, whether it’s singing Octavian or running the light board. But the English National Opera is hoping that the promise of hot girl-on-girl action will give their box office a woody. The company is advertising their production of a new work called…

on September 04, 2005 at 5:55 PM

La Cieca is delighted to announce that our editor JJ is directing yet once again, this time a production of Die Fledermaus for the [working title] opera. The single gala performance of the Johann Strauss II operetta is scheduled for September 18, 2005 at The Ballroom at the Century Center Theatre, 111 E. 15th Street…

on September 02, 2005 at 5:38 PM

It appears that La Cieca’s concerns about the suitability of Maria Guleghina for I vespri siciliani are shared by certain members of the Washington Opera administration. An insider whispers that MG’s (infrequent) vocalizing at rehearsals has been “horrific,” and members of the company are just waiting for the axe to fall. Expect Domingo to protest…

on September 02, 2005 at 5:03 PM

In response to the recent lively(ish) discussion about the suitability of Maria Guleghina to the rigors of the role of Elena in I vespri siciliani, La Cieca has decided that she should demonstrate how this music should be sung. No, actually La Cieca is not going to sing it herself; rather, she will present Renata…

on August 28, 2005 at 3:25 AM

La Cieca is borrowing a catch-phrase from dear Leonard Pinth-Garnell because she can’t think of a better word to describe… Maria Guleghina in I vespri siciliani. Is there anyone who thinks this is a good idea?

on August 26, 2005 at 7:59 PM

Just when La Cieca thought there could be no more opera this late in the summer, suddenly she finds out that something called REPO! The Genetic Opera opens tonight for a limited run at the Wings Theater on Christopher Street. The piece is described so: “a futuristic rock musical, Repo! takes place during an epidemic…

on August 25, 2005 at 8:34 PM

Performers in the Neukoellner Opera House’s production of Saint-Saens’s opera La Princesse Jaune smoke pot. The man-bites-dog angle on this story, though, is that they smoke it onstage, as part of the mise-en-scene. And the artistic director of the company, this dude named Bernhard Glocksin, has encouraged audience members to smoke their own weed during…

on August 25, 2005 at 2:20 PM

James Conlon, Régine Crespin, Plácido Domingo, Susan Graham and Dolora Zajick are to be lauded at all-new set of honors, “The Opera News Awards,” the occasion to be marked with cocktails, musical performances and other revelry at the dear Pierre Hotel on November 20. If La Cieca may offer just one teensy opinion (and who’s…

on August 24, 2005 at 4:00 PM
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