La Cieca
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
Don’t worry, La Cieca isn’t going to let politics rear its ugly head (or, since we’re talking about La Cieca here, let’s say “its pretty head”); rather, the “social” we’re talking about here is as in “social media.” Just a housekeeping tip or two for you after the jump.
And so Wim Wenders will not be directing the bicentennial Bayreuth Ring cycle in 2013, in 3D or any other kind of D. In that case, who should be chosen to wrap his or her Regie around this massively high-profile project? There’s a poll right after the jump. [Stern]
A quick clip from today’s telecast of Anna Bolena; unfortunately the sound is slightly out of synch and the stage director is more than slightly “Kulturbanause.” But, still: Anna!
Which opera house’s management is rightly climbing the walls with anger? Give them a break, because only five days before a major opening night the conductor—whose name is very well known—has not yet yet arrived in town, let alone attended a rehearsal!
A faithful spy reports from the Met: “Today’s final dress of Wozzeck went very well, to say the least…. The small ‘closed’ audience cheered at the end. Waltraud Meier turned toward the wings when it was time for the maestro to take his curtain calll, but returned to her place without him. Suddenly, there [James…
Those of you who have been wondering why the announcement of the New York City Opera’s 2011-2012 seems to be almost a month overdue may not take much consolation in the rumor La Cieca has just heard. According to a reliable source, the company will “probably” not offer a fall season (“due to no money,…
La Cieca was a little disappointed that so few of you guessed at last week’s Regie quiz, since the opera (though not the production) has been the subject of so much discussion the past few days. That’s right, it’s Anna Bolena, as directed for the Luzerner Theater by Tobias Kratzer. A trailer for this show,…
“Suddenly this quaint Depression-era protest song… delivered in a tone of controlled anger became like a devastating critique of today’s winner-take-all economic climate. Mr. Gunn made you feel the outrage of veterans who fought not only in World War I but in Iraq and Afghanistan, returning from overseas to cold shoulders and empty food pantries.”…
In what La Cieca chooses to regard fondly as a flashback to her gritty early days in Manhattan in the 1980s, a Met honcho has been busted on 14th Street with schnauzer in full view. [New York Post]
Given the multiple A-list events transpiring Saturday afternoon, La Cieca has come up with what she hopes is a workable solution to the over-abundance of choices.
So, let’s start guessing. Who are the three “names” who supplied the back cover blurbs for the new coffee-table ecomium James Levine: 40 Years at the Metropolitan Opera? La Cieca will provide you with hints after the jump.
La Cieca’s spies tell her that the New York City Opera plans an extremely ambitious season for 2011-2012, with vast expansions of repertory and number of performances.
You know, there’s the day-to-day stuff, like is Salvatore Licitra going to sing tonight. And then there’s the “coming soon” stuff, like getting the new Walküre up and running. And the “closely watched” stuff, like the Japan tour, with additional concerns outlined in today’s New York Times. And speaking of that article, there’s bullshit like…
“Take a sexy comedy, add Rossini’s scrumptious melodies, then fold in world-class singers and a Tony-winning director. Now pray it doesn’t turn out like the sodden soufflé that is the Met’s new Le Comte Ory.” Our own JJ is in a severe mood in today’s New York Post.
La Cieca has heard from a reliable source that two Met divas have already privately announced they “are not taking their young children to Japan and are not going themselves.”
Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a…
A source close to the Met tells La Cieca that “all the house’s union representatives” will meet with Peter Gelb today to discuss rank and file “anxieties” about exposure to radiation and other safety concerns during the company’s planned tour to Japan scheduled for June. The bulk of Met personnel are scheduled to depart on…
Renée Fleming (who will not be wearing the dress depicted, probably) leads the cast in tonight’s performance of Capriccio at the Met, and La Cieca is counting on you, the cher public, to lead the chat beginning at 8:00 pm.
Former Editor of Opera News and Director of Opera-Music Theater at the National Endowment for the Arts Patrick J. Smith (pictured) yearns for the ancien régime: “We used to go to the opera for the voices. Zinka Milanov…” And so, anyone who has serious informed criticism of how Peter Gelb runs the Met now can…
“Esoteric music staged by an operatic outsider paid off for the New York City Opera on Friday night with Monodramas, a program of three single-character operas.” [New York Post]
Before and after:
Which divo, as is his habit, refused to wear the costume assigned him for the climactic scene of a recent production, favoring instead “more sexy” garb?
The Met’s general manager indulges in the sincerest form of flattery by opening today’s New York Times response to his critics with a blind item in the style of a certain low-rent gossipmonger. After you figure out the identity of the “star soprano, [who,] thinking she might have been poisoned, withdrew from the cast,” you…
The very best wishes to the ultimate prima donna on the occasion of the 101st anniversary of her birth!
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
