Christopher Corwin
Christopher Corwin began writing for parterre box in 2011 under the pen name “DeCaffarrelli.” His work has also appeared in , The New York Times, Musical America, The Observer, San Francisco Classical Voice and BAMNotes. Like many, he came to opera via the Saturday Met Opera broadcasts which he began listening to at age 11. His particular enthusiasm is 17th and 18th century opera. Since 2015 he has curated the weekly podcast Trove Thursday on parterre box presenting live recordings.
LoftOpera’s accurately but unpromisingly named Pergolesi & Vivaldi stumbled rather than soared.
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A live broadcast of the prologue to Ariadne auf Naxos featuring Julia Varady, a favorite sopranos in a role she sang only rarely.
A poster outside Carnegie Hall proclaimed “Mahler Well Met” and to some degree it proved to be true.
A complete live performance of Stephen Sondheim’s wildly eccentric Anyone Can Whistle featuring the divine Audra McDonald as Fay.
An outstanding performance of Weber’s Euryanthe to share on “Trove Thursday.”
A live Un Ballo in Maschera featuring Jon Vickers, Amy Shuard, Lucia Popp, Shirley Verrett and Peter Glossop.
At long last, cher public, a finale to our Senta’s Ballad quiz, nearly a month late! The name of the winner and the complete lists of sopranos after the jump.
The 2017 Glyndebourne Festival opens on Saturday with the UK premiere of L’Ipermestra conducted by William Christie and directed by Graham Vick.
“Trove Thursday” pays tribute to the great German bass Kurt Moll
Anticipation of events like the Metropolitan Opera’s 50th Anniversary bash turns me back into the newly opera-soused kid who begged his parents to let him watch the highlights of the Bing Gala on the family color television.
“Trove Thursday” presents a live Motezuma conducted by Alan Curtis with Karina Gauvin, Sonia Prina, Mary-Ellen Nesi, Vito Priante and Ann Hallenberg (as Hernán Cortés!).
I don’t usually attend a performance of an opera I’ve known well most of my life expecting a revelation.
Met audiences might have to wait a very long time for Die Meistersinger von Nürnberg.
The wild tempest that whipped and drenched the audience as it exited the Met after Tuesday’s season premiere of Wagner’s Der Fliegende Holländer mirrored the finer features of the evening.
After the jump, a quiz featuring 15 singers performing Senta’s Ballad.
Although his operas don’t get much love, Haydn often wrote beautifully for the voice.
Is there a more gorgeous male voice before the public today than Peter Mattei’s? Has Anna Netrebko ever sounded better?
Any production of Der Rosenkavalier that can transform the usually excruciating first half of the third act into a hilarious romp already has my vote.
“Trove Maundy Thursday” offers a recent un-HIP version of Handel’s Messiah.
A week from tonight the Met premieres an eagerly anticipated new Der Rosenkavalier, its first in nearly 50 years—probably to the dismay of many grown used to the venerable Nathaniel Merrill–Robert O’Hearn production. As a preview “Trove Thursday” offers a live broadcast of Richard Strauss’s most popular opera with a delicious cast headed by Régine…
Massenet’s La Navarraise in a live performance featuring Rita Gorr as Anita and George Shirley as Araquil.
“Trove Thursday” presents a recording of the rare L’Olimpiade featuring Joan Caplan and Rita Shane in the two leading castrato roles.
“Trove Thursday” presents Altre Stelle, a fascinating performance piece which includes superb renditions of excerpts from operas by Berlioz, Cherubini, Gluck and Rameau.
This week Trove Thursday endeavors to broaden his exposure with a bubbly performance of Il Marito Disperato starring Sylvia Geszty.
