May 2006
Since this week’s Unnatural Acts of Opera podcasts feature a classic live recording of Bizet’s Carmen, La Cieca thought it might be fun to remember the legendary chanteuse Leona Anderson with a clip of her performance of the Habanera. La Anderson, who was once described as “the missing link between Florence Foster Jenkins and Mrs.…
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Curtain call at a recent gala event. (Note, toward the end of the clip, Denyce Graves holding up the bodice of her strapless dress!)
David Gockley talks to a gay paper about fisting. (Well, when you’re running the San Francisco Opera, knowing these things is surely part of the job description.)
La Cieca doesn’t want to get all pedantic here, but she does want to point out that the phrase Mirella Freni sang at the end of her rambling monologue at the Volpe gala was not from Act 3 of La boheme. Or rather, the musical phrase reappears in the opera, but the version Freni sang…
For your Sills-related listening enjoyment today, this collection of Bubblecasts. And here’s Our Beverly singing Zerbinetta — the hard way.(As seen at Beverly Sills Online. From YouTube, target=”new”>Beverly Sills on Video.
Joseph Volpe‘s memoir The Toughest Show on Earth (see, La Cieca can get the title right when she wants too) is a book about a working-class kid from Queens who wanted to be Rudolf Bing when he grew up. Or, rather, it’s about a stage carpenter who was bright enough and ambitious enough to do…
When she’s dressing for a gala and she wants to stand out from the crowd, what’s a diva to do? Well, she can hire Angie Dickinson‘s hairdresser, but then confuse the issue by making her dress out of window sheers. Or she can go for a classically simply mother of the bride dress, and then…
At long last (but far more than worth the wait!), the latest episode of The Entertainment Beat with Frances Gumm is online. If you haven’t listened to this marvelous series, well, you just don’t know show biz. And, before La Cieca slumps into unconsciousness, please let her thank the almost 100 participants in tonight’s live…
We interrupt this liveblogging with this bulletin: James Levine didn’t show for the Volpe Gala. (Obviously he wasn’t going to conduct, but not even to walk out onstage?) What’s more, Rudy Giuliani didn’t show either. And Uncle Joe himself didn’t even make a speech. Oh, God, how they must all hate him!
11:40: Then Rene Pape matched Hvorostovsky, then Zajick matched (topped?) them both, then who the hell had the idiotic idea of doing the Easter Hymn with a mezzo who can’t sing it and the chorus apparently stoned or else in another city? (Oh, and did you notice the long, noisy scene change afterward? Vintage Volpe.)11:05:…
The Volpethon is about to start in real time, but parterre.com’s online discussion of the WQXR broadcast will begin promptly at 7:45. Simply click on the “Chat Now” button in the right toolbar to join the discussion. (Note you will need Java enabled in order for the chat program to work. If you need more…
Astute Anne Midgette (glimpsed earlier this week among the faithful throngs at the Millo Tosca) wonders today in the Times whatever happened to singers like Richard Leech, Sharon Sweet, Susan Dunn, Francisco Araiza, June Anderson, Cheryl Studer, Carol Vaness, Aprile Millo and Dawn Upshaw. All these artists were mainstays of the Joseph Volpe 1990s at…
For those of you who don’t do Skype yet, now’s the time to give the service a try. They are offering unlimited free calls to anywhere in the US and Canada from now until the end of the year. International calls to, basically, any phone in the world, cost .02 Euros per minute. Unless you…
You know, La Cieca heard there were some staging modifications to the Wilson Lohengrin since the last revivial, but who knew? As La Cieca announces in her current podcast, she will be liveblogging the WQXR broadcast of the Volpe Farewell Gala this Saturday evening. Comments will be enabled so you can be as interactive as…
Standing room for the Volpethon goes on sale on the day of the performance (May 20), and it will only cost you . . . fifty bucks. Nice to see that Uncle Joe hasn’t lost the common touch. By the way, has anybody read the book yet? No, me neither.
Well, it looks like yet another cliche turns out to be true: there really is no such thing as bad publicity. La Cieca hears that since his arrest two nights ago for DWI, Jerry Hadley has been fielding calls and emails from practically everyone he ever met in the business — most of them asking…
La Cieca hears that Ben Heppner has canceled today’s dress rehearsal of Parsifal at the Met; Mark Baker will go on. (He’s Heppner’s cover for the run as well.) UPDATE: Baker went on, and as if things are not already exciting enough, the Met has rushed Gary Lehman into town to cover-cover.
Everyone’s favorite new tenor Stephen Costello (whom so many of you have seen and enjoyed on
Fiorenza Cossotto, filmed from the wings of La Scala, belting out the Principessa’s aria from Adriana Lecouvreur.
Point/Counterpoint from the wellsung twins: Jonathan: “Renee Fleming is a disaster as Rodelinda. What the hell is going on? WHY does she sing this rep? It was like one big slur that lasted for four hours. I did not hear one consonant, and there was no sense whatsoever of where one note ended and another…
This week’s podcasts feature a reprise performance (the 1977 Turandot starring Luciano Pavarotti, Montserrat Caballe and Leona Mitchell) with all new chatter from La Cieca. In the current episode, she yaks about the Volpe Farewell Gala and poses yet another of “The Enigmas of La Cieca.” It’s all at Unnatural Acts of Opera, of course.
Among the highlights of the English National Opera’s 2006-2007 season: Catherine Malfitano as the Kostelnicka in David Alden‘s Cold War era Jenufa, a new David McVicar production of Handel’s Agrippina starring Sarah Connolly and Rebecca Evans, plus the world premiere of the opera Gaddafi, based on the life and career of the “Guide of the…
Posted, by some odd coincidence, to a David Daniels discussion board: “Remember, a Baroque opera has the same structure as a hard-core porn film: several minutes of boring dialogue/recitative, and then ten-minute sessions/arias where the stars show off their assets and climax in a spectacular ‘cadenza’.”
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