Neoclassical Stravinsky goes Italian baroque for this one-act ballet based on archetypal commedia dell’arte characters created for the Ballet Russe de Monte Carlo. Its glittering premiere in 1920 was conducted by Ernest Ansermet and featured choreography by Leonid Massine and designs by Pablo Picasso. The ballet was originally to have had music from a group of concerti armonici thought to be by the short-lived Giovanni Pergolesi.

However, Ansermet wanted a contemporary score and approached Stravinsky who was influenced by the ersatz-Pergolesi works. Long after Pulcinella’s creation, the baroque concerti were discovered to have been not by the Italian who died at 26 but rather by an unknown Dutch composer Count Unico Wilhelm van Wassenaer.

George Balanchine and Jerome Robbins collaborated on a new setting of the ballet (using the full score) for New York City Ballet’s legendary 1972 Stravinsky Festival. A watchable but rather poor video exists of that production with Edward Villella in the title role. I’ve never seen the work live at NYCB—has it been done anytime recently? I probably overlooked it but I don’t ever recall seeing Pulcinella listed during my years in the city.
While the suite of the orchestral movements is frequently programmed, orchestras don’t seem to want to hire three vocal soloists for the complete version which is a shame as I much prefer it.

After this “small plate,” there will be a more fulling “entrée” next week for the 250th Trove Thursday!

Stravinsky: Pulcinella

Théâtre du Châtelet
5 March 2009
Broadcast

Anna Caterina Antonacci
Francesco Meli
Alex Esposito

Orchestre National de France

Conductor — Daniele Gatti

Pulcinella can be downloaded by clicking on the icon of a square with an arrow pointing downward on the audio player above and the resulting mp3 file will appear in your download directory.

Other Stravinsky on Trove Thursday: The Rake’s Progress with Arlene Saunders, Tatiana Troyanos, Loren Driscoll, Tom Krause and Hans Sotin conducted by Charles Mackerras and Jessye Norman and William Lewis in Oedipus Rex.

In addition, over 350 podcast tracks are always available from Apple Podcasts for free, or via any RSS reader.

The archive which lists every Trove Thursday offering since the beginning in alphabetical order by composer was updated last month.

Christopher Corwin

Christopher Corwin began writing for parterre box in 2011 under the pen name “DeCaffarrelli.” His work has also appeared in , The New York Times, Musical America, The Observer, San Francisco Classical Voice and BAMNotes. Like many, he came to opera via the Saturday Met Opera broadcasts which he began listening to at age 11. His particular enthusiasm is 17th and 18th century opera. Since 2015 he has curated the weekly podcast Trove Thursday on parterre box presenting live recordings.

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