These are the damned
Anticipating the work’s return to the Met after more than a decade, Trove Thursday presents La Damnation de Faust in a 1959 broadcast featuring Régine Crespin, Nicolai Gedda and Ernest Blanc under the fine Berlioz conductor Igor Markevitch.

Otherwise their repertoires didn’t intersect all that much although Gedda ventured heavier roles in Lohengrin, Un Ballo in Maschera and Tosca on occasion but not opposite Crespin. By the time she took on Carmen Gedda may have given up Don José, and surprisingly Gedda performed Werther on stage just a few times. And their encounters with Pikovaya Dama were separated by many years.
Although the Met presented Damnation in 2008 in production by Robert Lepage, over the summer its planned revival this month was dropped and Berlioz’s légende dramatique will be performed instead in concert (as it was originally intended) with its performances reduced to just 4.
As of now, Bryan Hymel will be Faust in the first pair followed by today’s leading Berlioz tenor Michael Spyres making his long-awaited Met debut in the final two performances. Elina Garanca will be Marguerite and Ildar Abdrazakov Méphistophélès.
Garanca performed Damnation years ago in Geneva but not often (if at all) since then and since she canceled her eagerly-anticipated Troyens Didon, who knows when we’ll again have a chance to hear her again in Berlioz’s music for which she seems ideally suited.
Spyres performing Berlioz may be heard in a recent Trove Thursday presentation of Benvenuto Cellini.
Berlioz: La Damnation de Faust
Montreux Festival
24 September 1959
Broadcast
Marguerite — Régine Crespin
Faust — Nicolai Gedda
Méphistophélès — Ernest Blanc
Brander — Louis Morin
Choeurs & Orchestre de l’ORTF
Conductor — Igor Markevitch
Damnation can be downloaded by clicking on the icon of a square with an arrow pointing downward on the audio player above and the resulting mp3 file will appear in your download directory.
In addition, nearly 300 other podcast tracks are always available from Apple Podcasts and iTunes for free, or via any RSS reader.
The archive listing all “Trove Thursday” offerings in alphabetical order by composer was recently updated to include all material as of mid-November 2019.
Christopher Corwin
Christopher Corwin began writing for parterre box in 2011 under the pen name “DeCaffarrelli.” His work has also appeared in , The New York Times, Musical America, The Observer, San Francisco Classical Voice and BAMNotes. Like many, he came to opera via the Saturday Met Opera broadcasts which he began listening to at age 11. His particular enthusiasm is 17th and 18th century opera. Since 2015 he has curated the weekly podcast Trove Thursday on parterre box presenting live recordings.
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Topics: trove thursday