Venerable Opera magazine had better watch its ass, since the publication’s “We Hear That” column will probably be getting a “visit” from the Met’s thugs goons legal counsel any minute now.  For that’s what happens, isn’t is, to anyone who dares to speculate in print about future Met seasons? Well, whilst we anxiously await the news that the staff of Opera have been roughly awakened in the middle of the night and dragged off to  Room 101, let’s take a peek at their predictions.

Well, a Dmitri Tcherniakov Rosenkavalier is certainly unexpected, and goodness knows it should be the strongest possible contrast with the antique staging current at the Met. La Cieca is not so gung-ho over the Roberto Devereux, mostly because David McVicar‘s been in such a dry spell lately, and just at a guess would venture that Angela Meade‘s participation in the project would involve singing Elisabetta in an alternate cast (she’s performed the role before) instead of doing the mezzo role of Sara.

La Cieca

James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.

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