Opera from a certain point of view. The best opera magazine on the web. Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
Speaking of people what have “ridden that streetcar,” Antipodean diva Cheryl Barker‘s sudden withdrawal from Opera Australia’s first new production of Tosca in almost three decades seems to be based on her objection to the staging by Christopher Alden.
According to yesterday’s (or possibly tomorrow’s) Sydney Morning Herald, the soprano “raised her concerns” about Alden’s “grubby” (and leapless) envisioning of the work prior to her dropping out of the production last month. Our Own Takesha Meshé Kizart (who sang this production in Britain last year) will jump in, or in this case, not jump in.
La Cieca
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.