By La Cieca Not a Regie quiz, but worthy of note for the “what were they thinking” factor. Here’s a production of Otello directed by the usually visually acute Paul Curran. So why was costumer Paul Edwards allowed to get up the principal artists like they’re en route to a Cypriot fancy dress party? From left to right, we have Desdemona as Helen Mirren in Caligula; Roderigo as the young Vanessa Redgrave, and of course poor Emilia, who couldn’t quite make up her mind between Wowkle and Brangäne.
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
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Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
