The ideal match of subject matter to critic: the role debut of Teddy Tahu Rhodes in Billy Budd, as reviewed by Anthony Tommasini. (“On being pressed into service, Billy is made a foretop man, and repeatedly throughout the performance Mr. Rhodes climbs up and down rigging with abandon, sometimes using only his arms.”)
parterre box is launching a new themed regular feature curated by our readers and opera fans across the world! We are asking for your favorite clips, recordings, and anecdotes to get people chatting, listening, and thinking.
parterre box is launching a new themed regular feature curated by our readers and opera fans across the world! We are asking for your favorite clips, recordings, and anecdotes to get people chatting, listening, and thinking.
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