This week it seems Tony Tommasini can’t do anything right. First he cooed over Renee Fleming‘s impossibly arch performance at a Mostly Mozart concert. Well, subjectivity and all that; still, you have to wonder where bad taste ends and starfucking begins. Then, in this morning’s paper, ironically in a piece about the Met’s archives, Tony misstates a widely-known and easily checkable fact. No, Maria Jeritza did not create the role of Turandot at the La Scala premiere; that would be Rosa Raisa. (As everyone knows, Arturo Toscanini fired Jeritza from that first production when he caught her flushing a copy of the Q’uran down a toilet.)
Strapping, brawny corrections
By La Cieca La Cieca
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
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Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
