La Cieca is sure it’s nothing, nothing at all, but she does think it’s curious that (per a tipster) George Steel has quietly called a staff meeting for NYCO tomorrow, with further confabs with the union reps scheduled for early next week.
George Steel (center) announces that New York City Opera is destroying, giving away or selling off most of its stock of repertory productions. Presumably a few of the old sets will be kept on hand to burn for warmth during the long winter ahead. [New York Times] (Photo by Carol Rosegg.)
“For decades New York City Opera was a model of an organization with a clear mission. Now there may be no opera company, orchestra or ensemble more in need of a mission reboot…. Though Mr. Steel has brought tireless enthusiasm to City Opera and presented some exciting productions, he has been unable to give the company a clear profile.” [New York Times]
The Underworld as corporate boardroom, Pluto a “suit,” the damned a bunch of clerks tapping away at laptops.
“About the only good thing that can be said for New York City Opera’s Orpheus, which opened Saturday night, is that it made the rest of the company’s feeble season seem scintillating by comparison.”
Now New York City Opera has given us a “Così Fan Tutte” starring the undead.
“New York City Opera performed La Traviata at BAM Sunday afternoon. That’s who, what, where and when. But this was a performance without a ‘why’.”
La Cieca hears that the New York City Opera is moving its administrative offices to 75 Broad Street, a location you surely remember as The International Telephone and Telegraph Building. The a 1928 structure boasts the mosaic dome glimpsed above, and (coincidentally) sits just across the street from the old Goldman Sachs building.
Local 802 and AGMA have rejected New York City Opera’s “final offer,” placing the company at an “impasse,” according to an email from George Steel to members of the company’s board.
“City Opera Management has passed on an offer from the unions representing its musicians and singers that could have saved the company some much-needed cash. The proposal would have required members of the New York City opera to perform for free in the 2011-2012 season.” [NY1]