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Cher Public

  • steveac10: And if they’re right somebody needs to alert the likes of Farrar, Jeritza, Kirsten, Moffo... 12:52 AM
  • Poison Ivy: Well … then buy cheaper seats. Just sayin’. 11:47 PM
  • Flora del Rio Grande: Rant? I don’t think so. But thanks, Kashie. Laddie — for anything, even... 10:29 PM
  • Jungfer Marianne Leitmetzerin: Maybe we WERE all there! I had been on vacation in Provincetown and we flew... 9:44 PM
  • operaassport: That could probably be arranged :) 9:24 PM
  • m. croche: And for those who can’t wait to find out what tracks will be on Hvorostovsky’ ;s new... 9:12 PM
  • Bill: Milady – Jurinac and Seefried have been the best soprano Octavians I have seen – and... 9:10 PM
  • kashania: Thanks for the clips, Olivero. I’ve bookmarked them for later. 9:03 PM
  • kashania: Isolde? Wow. I thought she just wasn’t interested in German rep. Surely, Ariadne, Sieglinde... 8:57 PM
  • kashania: Oh laddie, don’t be so specific. Rants resist logic. 8:55 PM

Boy meets ghoul

“Zombies are impossible to escape these days — on television, film, video games, even reworkings of Jane Austen (Pride and Prejudice and Zombies). And now New York City Opera has given us a “Così Fan Tutte” starring the undead.”  [New York Post]

She’s fallen and she can’t get up

“New York City Opera performed La Traviata at BAM Sunday afternoon. That’s who, what, where and when. But this was a performance without a ‘why’.”

Our Own JJ is not amused in the New York Post.

Broad Street Baby?

La Cieca hears that the New York City Opera is moving its administrative offices to 75 Broad Street, a location you surely remember as The International Telephone and Telegraph Building.  The a 1928 structure boasts  the mosaic dome glimpsed above, and (coincidentally) sits just across the street from the old Goldman Sachs building.

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NYCO/union talks break down

Local 802 and AGMA have rejected New York City Opera’s “final offer,” placing the company at an “impasse,” according to an email from George Steel to members of the company’s board.

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“ZERO dollars!”

“City Opera Management has passed on an offer from the unions representing its musicians and singers that could have saved the company some much-needed cash. The proposal would have required members of the New York City opera to perform for free in the 2011-2012 season.” [NY1]

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The Ten Percent Solution

NYCO’s George Steel has “…a vision of gradually increasing productions, arriving at 10, with 40 performances…. the company would reach the 10-production benchmark by 2025…. Only about 10 percent of revenue this season is predicted to come from the box office, with the rest mainly provided by donors. The ratio does not change much over the phased growth plan, meaning that only $1 or $1.50 out of $10 will come from ticket purchases.” [New York Times]

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When we deaf awaken

Open your eyes, sleepyheads! In the news this morning, our own JJ raves about Satyagraha at the Met (“a masterpiece of musical and visual art”); the ever-articulate Nico Muhly takes aim at the Met’s production values (“Mercedes Bass or Anne Ziff paid for the opera. What do you think is going to happen?”); and NYCO’s orchestra and chorus offer to work for free.

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Cash memory

“The New York City Opera is at an exciting and critical junction in its approach to opera and its ability to connect to audiences in the broader New York City community. City Opera’s new innovative programing presents an opportunity to re-imagine and re-conceive current fundraising efforts for a budget of $13.7 M.” Yes, NYCO is trying to hire a new Director of Development.

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Buyer’s market

La Cieca was cced the following letter sent by a “long-time patron of NYCO” in response to “the recently received Subscription Renewal Brochure.” She has withheld the patron’s name by request.

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George at the bat

UPDATE: Complete press release after the jump! You know La Cieca will be following NYCO’s press conference starting today at 1:00 pm. The Twittering community will carry live updates from the event, and you, the cher public, can follow the tweets after the jump. 

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