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  • manou: On Twitter there is no place for prolixity. I sometimes wish there was less place for it here. 1:57 PM
  • MontyNostry: Warwick Thompson is unusually succinct. 1:48 PM
  • manou: Back to the ROH Ballo (and not to heap Pelion upon Ossa) – here are more comments from their own... 1:31 PM
  • Camille: Speaking of Amsterdamer Manon Lescauts—this is the recording where I happened, alone and untutored... 1:25 PM
  • Camille: Really?? I had some hopes for this recording and am desolate to hear this news. At any rate, I shall... 1:01 PM
  • mercadante: It’s extremely well documented in letters with Piave and letters concerning the changes... 12:54 PM
  • zinka: httpv://www.youtub e.com/watch?v=A9DJ d2vyRuw How many TOWELS in our lifetime would we need to catch... 12:27 PM
  • Jungfer Marianne Leitmetzerin: “… and two hard-boiled eggs.” 12:21 PM
  • MontyNostry: Four years ago, when Keenlyside first sang Rigoletto with Welsh National Opera, it was... 12:09 PM
  • k0000: “grandiloque nt” isn’t the word you want here; it means “pretentious ,”... 11:46 AM

From Hell

“About the only good thing that can be said for New York City Opera’s Orpheus, which opened Saturday night, is that it made the rest of the company’s feeble season seem scintillating by comparison.” [New York Post]

Boy meets ghoul

“Zombies are impossible to escape these days — on television, film, video games, even reworkings of Jane Austen (Pride and Prejudice and Zombies). And now New York City Opera has given us a “Così Fan Tutte” starring the undead.”  [New York Post]

She’s fallen and she can’t get up

“New York City Opera performed La Traviata at BAM Sunday afternoon. That’s who, what, where and when. But this was a performance without a ‘why’.”

Our Own JJ is not amused in the New York Post.

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Broad Street Baby?

La Cieca hears that the New York City Opera is moving its administrative offices to 75 Broad Street, a location you surely remember as The International Telephone and Telegraph Building.  The a 1928 structure boasts  the mosaic dome glimpsed above, and (coincidentally) sits just across the street from the old Goldman Sachs building.

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NYCO/union talks break down

Local 802 and AGMA have rejected New York City Opera’s “final offer,” placing the company at an “impasse,” according to an email from George Steel to members of the company’s board.

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“ZERO dollars!”

“City Opera Management has passed on an offer from the unions representing its musicians and singers that could have saved the company some much-needed cash. The proposal would have required members of the New York City opera to perform for free in the 2011-2012 season.” [NY1]

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The Ten Percent Solution

NYCO’s George Steel has “…a vision of gradually increasing productions, arriving at 10, with 40 performances…. the company would reach the 10-production benchmark by 2025…. Only about 10 percent of revenue this season is predicted to come from the box office, with the rest mainly provided by donors. The ratio does not change much over the phased growth plan, meaning that only $1 or $1.50 out of $10 will come from ticket purchases.” [New York Times]

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When we deaf awaken

Open your eyes, sleepyheads! In the news this morning, our own JJ raves about Satyagraha at the Met (“a masterpiece of musical and visual art”); the ever-articulate Nico Muhly takes aim at the Met’s production values (“Mercedes Bass or Anne Ziff paid for the opera. What do you think is going to happen?”); and NYCO’s orchestra and chorus offer to work for free.

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Cash memory

“The New York City Opera is at an exciting and critical junction in its approach to opera and its ability to connect to audiences in the broader New York City community. City Opera’s new innovative programing presents an opportunity to re-imagine and re-conceive current fundraising efforts for a budget of $13.7 M.” Yes, NYCO is trying to hire a new Director of Development.

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Buyer’s market

La Cieca was cced the following letter sent by a “long-time patron of NYCO” in response to “the recently received Subscription Renewal Brochure.” She has withheld the patron’s name by request.

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