Headshot of La Cieca

Cher Public

  • MontyNostry: The Montemezzi is a revival of a production from, I think, 2007. It was very exciting –... 3:20 AM
  • Krunoslav: Maureen Lehane has always been a favorite, and the clip you provide leads to some more SERSE... 2:20 AM
  • Henry Holland: Complete Franchetti operas: I saw Franchetti’s Germania in Berlin a few years ago. I... 1:37 AM
  • antikitschychick: FABULOUS PIECE!!! Thank you so much sharing this truly beautifully-writte n tribute to La... 1:08 AM
  • Quanto Painy Fakor: I wonder where the outtakes for so many recordings are and if they will ever be... 12:50 AM
  • La Cieca: It’s not a mezzo aria; what the role wants is a Donna Elvira voice. I directed this show... 12:43 AM
  • Krunoslav: I know I’ve seen Marcellina’s aria done once onstage, and can’t recall where.... 12:29 AM
  • Buster: httpv://www.youtub e.com/watch?v=7A5J IIUPSZ4 12:23 AM
  • La Cieca: httpv://www.youtub e.com/watch?v=WwIi yeGE8qI 11:16 PM
  • ML: “seem to do just fine” This is like Cocky’s not noticing any memory lapse in 20 years... 11:16 PM

Hello Amanda

Soprano Amanda Majeski will make her Met debut on the opening night of the 2014-2015 season as the Countess in Le nozze di Figaro, replacing Marina Poplavskaya “who has withdrawn for health reasons.” Read more »

A song at twilight

Yes, you’ve heard it already, but you might as well have an official place to talk about it: Marina Poplavskaya goes on tonight in Les Vêpres siciliennes at the Royal Opera House. But wait, there’s more. Read more »

Pop, idled

Photo: Alistair MuirFrom the Royal Opera House press office: “Russian soprano Marina Poplavskaya has fallen ill and unfortunately has had to withdraw from singing the role of Hélène in Les Vêpres siciliennes in the final rehearsals and the first three performances in October. Marina Poplavskaya hopes to be able to sing the remaining five performances as scheduled. The role of Hélène will now be sung on 17, 21 and 24 October by Armenian soprano Lianna Haroutounian.”   Read more »

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A Faustian bargain

What we have here is the grandest opera never heard.

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It is what she would have wanted

Due to wellness, it is with deep contentedness that Marina Poplavskaya will after all sing the role of Alice in Robert le Diable.

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Our retrospection will now be all to the future

La Cieca predicts you won’t be seeing any puritans at the Met next season, except of course for the ones who slouch around during intermission hissing, “You call that a trill?”

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Tour de farce

UPDATE, Tuesday, 7:45 AM: The Met sent out a press release at 1:27 AM New York time today announcing major changes to its roster for the tour of Japan this month. La Cieca has revised the following gossip item (which appeared at 11 PM last night) to reflect the Met’s confirmations. 

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New classic

Willy Decker’s Traviata has garnered praise from critics and audiences alike in the week since its Metropolitan premiere, but (as was to be expected) this praise comes over the complaints of a select few traditionalists, a handful of lonely boos amid the mostly enthusiastic applause. Their objection (as usual) is that Decker’s production betrays the “original text” of “Verdi’s La Traviata.” But these detractors should consider that La Traviata is a work in which questions of betrayal and fidelity are specifically at issue—one that reminds us that sometimes, counterintuitively, the only way to remain faithful to someone or something is [...]

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There is a God

The answers of millions of supplicants worldwide (and thousands of Met-goers citywide) have been answered. “[Peter Gelb] said there were no plans to replace Mr. Zeffirelli’s productions of La Bohème and Turandot. [New York Times]

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Top of the Pops

La Cieca (not pictured) hopes to hear reactions from the cher public who attended this afternoon’s HD of Don Carlo, a preview of which follows the jump.

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