Headshot of La Cieca

Cher Public

  • Dabrowski: This is an illuminating discussion. Thanks, all! Pavarotti died with a fortune of 250 million... 12:45 AM
  • La Cieca: I’ll try to explain myself once, and then I’ll leave it. I’ve used that word... 12:34 AM
  • antikitschychick: LOL hurrah for you Porgy! :-). Also, Queen DiDo is a kewl name. 12:28 AM
  • laddie: OPERA CAKE – I cannot find my recording of that Hoffman; if anyone has any clues where I can... 12:25 AM
  • antikitschychick: “Or you could, on the other hand, do the constructive thing of comparing her to a... 12:24 AM
  • laddie: yes, and I listened to that Onegin broadcast very closely and no matter what’s in the head,... 12:22 AM
  • antikitschychick: that’s a great anecdote mjmacmtenor. It’s great to hear this person got... 12:10 AM
  • antikitschychick: you’re welcome Le_Chiffre and I echo your sentiments as well :-). 12:07 AM
  • antikitschychick: I would have thought she makes at least 20k per performance. She and others certainly... 11:59 PM
  • irontongue: Gotta agree with her on the wording. There are equal-opportunity condemnations of the shithead,... 11:56 PM

Hung up

What other company indeed but the Bayerische Staatsoper would commission David LaChapelle to photograph Diana Damrau for their portrait gallery? (And, not to put too fine a point on it, what’s the deal with the dead naked guy?) [Flaunt]

Fairy-lit

It was dear Oscar Wilde, wasn’t it, who devised that early mot du jour “Good writers borrow; great writers steal,” an aphorism that has since been borrowed by many. La Cieca will leave it up to the reader to decide whether the Handa Opera on Sydney Harbour production of La traviata ranks as a “good” or a “great” example of idea appropriation; meanwhile she will just sit back and marvel at Francesca Zambello‘s idea that setting Verdi’s opera on an comically oversized silver tea tray beneath an even more comically oversized chandelier might be considered “art” anywhere in the civilized world. (So shiny!) Read more »

falling upward continues

zambello_mermaid

Francesca Zambello (center), universally critically slammed for her production of The Little Mermaid, has been tapped as director of yet another musical, as if Little House on the Prairie and Rebecca are not enough to keep her busy.  She’s helming First Wives’ Club for a July opening at the Old Globe Theatre in Baltimore San Diego, with a Broadway bow contemplated in the fall. The good news is, the more musical theater Cesca directs, the less opera she gets her hands on. So La Cieca won’t complain.