Headshot of La Cieca

Cher Public

  • EarlyRomantic: On this Thanksgiving Day, I am grateful for the myriad operatic artists past and present who... 10:51 PM
  • La Cieca: The way you sought out parterre.com, you mean? 10:30 PM
  • operadunce: Sorry, but I’m not in your kitchen. I don’t need to trash someone else to feel better... 9:40 PM
  • Quanto Painy Fakor: Well she is used to upstate NY wet winters. She does not look happy in the phot with... 9:16 PM
  • EarlyRomantic: As they say, can’t take the heat? Then get out of the kitchen. Renée and her record... 9:07 PM
  • antikitschychick: Pasavant, bless you for posting that! She’s amazing :-). Also, Jessye is workin that... 8:54 PM
  • zinka: httpv://www.youtub e.com/watch?v=kUl2 XlUTd6w One day in 1977 a buddy said,”I just saw this... 8:27 PM
  • kashania: httpv://www.youtub e.com/watch?v=ea9K NQVArMs 7:58 PM
  • antikitschychick: Operadunce: Dont fret. Cieca is obviously jelly that Renee chose Rufus over her as a duet... 7:52 PM
  • coloraturafan: Pido was horrible! The music was murdered! And there was such a strong cast, it could have... 7:29 PM

Angelina’s ashes

Beloved literary asshole Milan Kundera has a well-developed understanding of kitsch. “Kitsch,” he writes, as if on cue, “causes two tears to flow in quick succession. The first tear says: How nice to see children running on the grass! The second tear says: How nice to be moved, together with all mankind, by children running on the grass!” Kitsch, I would clumsily add, is the second yuk. It says: how nice to be part of the laugh track.   Read more »

Hung up

What other company indeed but the Bayerische Staatsoper would commission David LaChapelle to photograph Diana Damrau for their portrait gallery? (And, not to put too fine a point on it, what’s the deal with the dead naked guy?) [Flaunt]

Fairy-lit

It was dear Oscar Wilde, wasn’t it, who devised that early mot du jour “Good writers borrow; great writers steal,” an aphorism that has since been borrowed by many. La Cieca will leave it up to the reader to decide whether the Handa Opera on Sydney Harbour production of La traviata ranks as a “good” or a “great” example of idea appropriation; meanwhile she will just sit back and marvel at Francesca Zambello‘s idea that setting Verdi’s opera on an comically oversized silver tea tray beneath an even more comically oversized chandelier might be considered “art” anywhere in the civilized world. (So shiny!) Read more »

Read more »

falling upward continues

Francesca Zambello (center), universally critically slammed for her production of The Little Mermaid, has been tapped as director of yet another musical, as if Little House on the Prairie and Rebecca are not enough to keep her busy.  She’s helming First Wives’ Club for a July opening at the Old Globe Theatre in Baltimore San Diego, with a Broadway bow contemplated in the fall. The good news is, the more musical theater Cesca directs, the less opera she gets her hands on. So La Cieca won’t complain.

Read more »