Cher Public

  • Camille: Oh thank you and bless you, bewildered, for that bit. I pine for your glory days and miss you so. 4:05 PM
  • Camille: It’s the New Yawk version…ostensibly the “ViEnna Version” (see, La Cieca, I got it right at last!). I brought... 4:03 PM
  • Evenhanded: Well. “Casually referring to a woman as ‘this Bitch’, however- I’d be ashamed of that.” As would I, Armer. Thank... 3:57 PM
  • armerjacquino: I agree, giving one’s all in performance can never be a source of shame. Casually referring to a woman as ‘this... 3:51 PM
  • Feldmarschallin: Lovely costumes. Cosima would have approved. 3:48 PM
  • Dabrowski: First, the obvious question: Is this Paris or Dresden? Another question, for those of you who understand singing better than I... 3:43 PM
  • La Cieca: And more to the point, which part of Venus. 3:37 PM
  • bewilbered: Elisabeth cover is the Romanian Iulia Isaev, who has sung the role (as well as Elsa) for Bucharest. 3:32 PM

Angelina’s ashes

Beloved literary asshole Milan Kundera has a well-developed understanding of kitsch. “Kitsch,” he writes, as if on cue, “causes two tears to flow in quick succession. The first tear says: How nice to see children running on the grass! The second tear says: How nice to be moved, together with all mankind, by children running on the grass!” Kitsch, I would clumsily add, is the second yuk. It says: how nice to be part of the laugh track.   Read more »

Hung up

What other company indeed but the Bayerische Staatsoper would commission David LaChapelle to photograph Diana Damrau for their portrait gallery? (And, not to put too fine a point on it, what’s the deal with the dead naked guy?) [Flaunt]


It was dear Oscar Wilde, wasn’t it, who devised that early mot du jour “Good writers borrow; great writers steal,” an aphorism that has since been borrowed by many. La Cieca will leave it up to the reader to decide whether the Handa Opera on Sydney Harbour production of La traviata ranks as a “good” or a “great” example of idea appropriation; meanwhile she will just sit back and marvel at Francesca Zambello‘s idea that setting Verdi’s opera on an comically oversized silver tea tray beneath an even more comically oversized chandelier might be considered “art” anywhere in the civilized world. (So shiny!) Read more »

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falling upward continues

Francesca Zambello (center), universally critically slammed for her production of The Little Mermaid, has been tapped as director of yet another musical, as if Little House on the Prairie and Rebecca are not enough to keep her busy.  She’s helming First Wives’ Club for a July opening at the Old Globe Theatre in Baltimore San Diego, with a Broadway bow contemplated in the fall. The good news is, the more musical theater Cesca directs, the less opera she gets her hands on. So La Cieca won’t complain.

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