Cher Public

  • Porgy Amor: I’ve only seen Shicoff in one production of it, the Carsen on DVD, but he is wonderful there. That is my favorite... 4:28 AM
  • le cerf agile: Oh my… Thank you for the recommendation: after a 12-hour day at work, that closed captioning really was a true... 11:16 PM
  • gustave of montreal: Königskinder, sumptuous score. 9:58 PM
  • Ilka Saro: Yes, true! One can’t imagine such spritely madrileña favorites as “Ella giammai m’amo” keeping their... 9:47 PM
  • gustave of montreal: those who are time-challenged and/or want to test-drive ? ? ? what does that mean in plain English ???? 9:41 PM
  • Stefan: I definitely agree with the earlier comment that said “There’s no such thing as bad regie, just regie you don’t yet understand.” I... 9:20 PM
  • Batty Masetto: For true delight, turn on closed captioning for this. (Best if you know some French.) Better than Google translate. 9:13 PM
  • la vociaccia: I have no words. How someone who would say something like that ever found himself in opera is fucking beyond me. I mean. Wow 7:48 PM

Angelina’s ashes

Beloved literary asshole Milan Kundera has a well-developed understanding of kitsch. “Kitsch,” he writes, as if on cue, “causes two tears to flow in quick succession. The first tear says: How nice to see children running on the grass! The second tear says: How nice to be moved, together with all mankind, by children running on the grass!” Kitsch, I would clumsily add, is the second yuk. It says: how nice to be part of the laugh track.   Read more »

Hung up

What other company indeed but the Bayerische Staatsoper would commission David LaChapelle to photograph Diana Damrau for their portrait gallery? (And, not to put too fine a point on it, what’s the deal with the dead naked guy?) [Flaunt]

Fairy-lit

It was dear Oscar Wilde, wasn’t it, who devised that early mot du jour “Good writers borrow; great writers steal,” an aphorism that has since been borrowed by many. La Cieca will leave it up to the reader to decide whether the Handa Opera on Sydney Harbour production of La traviata ranks as a “good” or a “great” example of idea appropriation; meanwhile she will just sit back and marvel at Francesca Zambello‘s idea that setting Verdi’s opera on an comically oversized silver tea tray beneath an even more comically oversized chandelier might be considered “art” anywhere in the civilized world. (So shiny!) Read more »

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falling upward continues

Francesca Zambello (center), universally critically slammed for her production of The Little Mermaid, has been tapped as director of yet another musical, as if Little House on the Prairie and Rebecca are not enough to keep her busy.  She’s helming First Wives’ Club for a July opening at the Old Globe Theatre in Baltimore San Diego, with a Broadway bow contemplated in the fall. The good news is, the more musical theater Cesca directs, the less opera she gets her hands on. So La Cieca won’t complain.

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