Cher Public

  • Buster: I agree – all of Toscanini’s Salzburg recordings are wonderful: Fidelio 1st act, Falstaff, and Zauberflöte too. I... 3:04 PM
  • messa di voce: If you can put up with bad sound, try the Salzburg Meistersinger – the most genial, lyrical account of the score you... 2:31 PM
  • m. croche: Cut demonic reindeer in half with magic scissors. http://www.youtube .com/watch?v=lpt3U Mtahow 2:19 PM
  • Camille: Latest Lohengrin— httpv://youtube.co m/watch?v=gcSq3R6P zOg Perhaps it is ould be more impressive in the theatre? Jungfer... 2:16 PM
  • armerjacquino: Although we don’t know exactly what was said… https://books.goog le.co.uk/books?id= UpIusDtpbVsC&am... 1:57 PM
  • quibbleglib: I’ve never understood the fuss about Toscanini. I’ve always found his operatic conducting to be rushed and... 1:36 PM
  • NPW-Paris: But during Tosca at the Met the audience seemed to find Tosca stabbling Scarpia an absolute scream. 1:33 PM
  • Ilka Saro: It’s also interesting to consider that Wagner himself was a pioneer in demanding that the house lights be lowered during... 1:19 PM

The recursion of kitsch

Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a Jake Heggie setting of Maria Callas‘s final monologue from Terrence McNally‘s Master Class. You know, the one that McNally didn’t actually write but rather collated from some random remarks Callas made in an entirely different emotional context. Read more »