Cher Public

  • Camille: Hooray, it’s Linda Esther Gray Day!! Her fabulous Isolde, at least one of the versions as I believe there are two,... 1:08 PM
  • Camille: httpv://youtube.co m/watch?v=eh9WayN7 R-s A truly great artist but an even greater human being. Long may he be remembered for... 12:54 PM
  • JackJack: Terrifically written, in your distinctive voice. You made me care to read a review of Carmen. 12:40 PM
  • armerjacquino: Try the 60s DON CARLO from Berlin on DVD. King, Fi-Di and Johnson are only ok, but Lorengar and Greindl are on FIRE both... 12:15 PM
  • Sempre liberal: In addition to Gergiev, I recall Maazel’s conducting some MET Walkures a few years ago. 11:52 AM
  • semira mide: Sorry I won’t be able to see the film. I had the good fortune to hear Paul Robeson sing in person many years ago ( of... 11:48 AM
  • Camille: SHOWBOAT, in the 1936 film adaptation will be shown once more at MoMA, next Friday evening, June 3rd @ 7:00 pm, ergo, GRATIS!... 10:23 AM
  • Tory Adore: was anyone else turned on by that clip of Solti conducting? So physical and visceral. I think I’m going to faint. 10:20 AM

The recursion of kitsch

Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a Jake Heggie setting of Maria Callas‘s final monologue from Terrence McNally‘s Master Class. You know, the one that McNally didn’t actually write but rather collated from some random remarks Callas made in an entirely different emotional context. Read more »