Cher Public

  • Tory Adore: To this we’ve come: “Send choristers in costume out to the lobbies to pose for selfies.” from todays NYTimes... 8:10 AM
  • Marcello: Opolais is out of the new Juive which opens the Munich Festival in June and the October performances as well. Alexandra Kurzak... 8:06 AM
  • Milly Grazie: Great review! Helpful, concise and insightful. I spilled my coffee howling as I read, “Melanie Long (Ava) shoved her... 4:59 AM
  • danpatter: Goerke’s “Hojotoho 221; is indeed thrilling. There’s even a fairly decent trill. That trill was also on... 2:20 AM
  • Krunoslav: “the Czech soprano Gabriela Benacková” Do not call her than in Bratislava! She made a great career inPrague but she... 1:18 AM
  • Sanford: Roberta Peters was the reason I became an opera singer. When I was 14 or 15, I heard her sing the Vilialied on Dinah... 12:22 AM
  • antikitschychick: LOL @ this and your previous comment. Perhaps you and Verret are right. Also, I’m sure Elina, La Rad and Mariusz... 11:29 PM
  • antikitschychick: Hi Neil, thank you for sharing your thoughts about Rad’s Norma. Having listened to a couple of live broadcasts... 11:20 PM

The recursion of kitsch

Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a Jake Heggie setting of Maria Callas‘s final monologue from Terrence McNally‘s Master Class. You know, the one that McNally didn’t actually write but rather collated from some random remarks Callas made in an entirely different emotional context. Read more »