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  • laddie: A very nicely done staging of the overture here, Robert Carsen, OF COURSE! http://www.yout... 5:19 AM
  • laddie: I was thinking the same…gloriou s voice! 4:54 AM
  • WindyCityOperaman: Born on this day in 1900 composer Ernst Krenek httpv://www.youtub e.com/watch?v=M... 4:29 AM
  • Lohengrin: Same! 2:11 AM
  • Lohengrin: “Acting withe the voice”: a very good description, of what singers should be able to... 2:09 AM
  • Feldmarschallin: Just a few words since I am leaving here shortly but the last two performances in Salzburg... 1:33 AM
  • thenoctambulist: I played the videos and must say Anna has finally delivered in a bel canto work. All the... 12:33 AM
  • steveac10: “Well, if you are asking me, rather than just restating the topic: I want to see and/or... 12:08 AM
  • Porgy Amor: Well, if you are asking me, rather than just restating the topic: I want to see and/or hear... 11:04 PM
  • bronzino: PA: at the risk of having you think that I am ‘digging in’, I must say that this... 10:20 PM

The recursion of kitsch

Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a Jake Heggie setting of Maria Callas‘s final monologue from Terrence McNally‘s Master Class. You know, the one that McNally didn’t actually write but rather collated from some random remarks Callas made in an entirely different emotional context. Read more »