Headshot of La Cieca

Cher Public

  • luvtennis: I must confess. I adore and revere Elizabeth Montgomery. Those early black and white episodes... 12:42 AM
  • Batty Masetto: Fascinating. (Leave it to Croche). In light of Manou’s lament about not looking at... 12:41 AM
  • Rackon: +1 12:37 AM
  • ML: Quanto, souffleur/souffleu se not feasible on large stage. 12:16 AM
  • m. croche: (Blue mask, in case you were wondering….) 12:04 AM
  • DeepSouthSenior: Maybe we’re getting a glimpse into which line items of the budget were – ahem!... 11:58 PM
  • m. croche: Manou – off topic to your off topic. You asked in chat about Tibetan opera. I finally found... 11:54 PM
  • Batty Masetto: Manou dear, after such a plethora of grand-offspring in nappies that must be changed I should... 11:24 PM
  • Operngasse: From the roundtable of Sutherland, Horne, and Arroyo, a great Met prompter anecdote from 4:10 to... 11:13 PM
  • 98rsd: It seems to me that straight teenagers are more faddish and unthinking; those adjectives don’t... 11:11 PM

The recursion of kitsch

Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a Jake Heggie setting of Maria Callas‘s final monologue from Terrence McNally‘s Master Class. You know, the one that McNally didn’t actually write but rather collated from some random remarks Callas made in an entirely different emotional context. Read more »