Headshot of La Cieca

Cher Public

  • Cicciabella: Finally! Soneone who likes Haroutounian for herself and not because she comes to the aid of an... 2:41 AM
  • Angelo Saccosta: Me too, Quanto. It all started for me on March 31, 1956, Manon Lescaut with Licia and Jussi. 2:08 AM
  • basso profundo: He has a decent voice but, having met him, I’m not sure if “good-lookin g”... 1:14 AM
  • Guestoria Unpopularenka: LOL @ the bows after Celeste Aida. Who’s this tenor? 12:54 AM
  • katya toyanova: San Francisco Opera review: Soprano’s magnificent ‘Tosca’ debut http://www.sfga... 12:50 AM
  • katya toyanova: Review: Lianna Haroutounian Triumphs as Tosca – San Francisco Opera, October 23, 2014... 12:33 AM
  • katya toyanova: Cast Conductor: Yannick Nézet-Séguin Elisabeth de Valois: Lianna Haroutounian Eboli: Nadia... 12:31 AM
  • Krunoslav: Oops! Thanks, Scared Monster– I now realize I confused him with Adam Diegel. I did hear... 12:19 AM
  • Flora del Rio Grande: . . . Oh, and I over looked Kansas City. It has not only a winning ball club, but a... 11:59 PM
  • Flora del Rio Grande: Well, the old Met house was a Real Opera House in spite of certain shortcomings. The... 11:58 PM

“My diva, a common waitress!”

As was perhaps inevitable, Anna Netrebko is on the cusp of the Mildred Pierce phase of her career. The soprano talks about her plans to open a restaurant, her reasons for retiring Violetta from her repertoire, and her distaste for inflated ticket prices in an interview appearing in the German magazine SternRead more »

Stuffed avvocato

freedom-of-the-pressUPDATE: The Royal Opera has apologized to Intermezzo!

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pirates not so scary after all

kelly_pirate

A new study suggests that milder forms of intellectual property piracy (e.g., file sharing) seem to have no ill effects on the lively production of books, films and music. [NYT]

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everything but the bloodhounds

Well, the first thing La Cieca will say about the Met’s 125th Anniversary Gala is that for all its sprawling splendor it doesn’t look quite what you’d call entertaining. Or rather let’s say it looks as if it won’t sound very entertaining. The visual element — you know, computer-animated Marc Chagall murals and Waltraud Meier prancing about in a copy of Rosa Ponselle‘s Carmen drag — will likely achieve a level of instant camp approaching that of Rosie O’Donnell‘s variety show last night. (La Cieca had no room for the phrase in the previous run-on sentence, but, anyway, good old [...]

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no malice aforeskin

La Cieca has removed the image of the Royal Opera’s Rigoletto production (you know, the one starring Juan Pablo di Pace and his amazing disappearing dick) from parterre.com in response to an email from the copyright owner of that photo, ArenaPAL.

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“The truth is on the march and I will stop it”

Do any of you out there ever wonder exactly what it is an “Artistic Administrator” does — I mean, besides collecting an annual salary and refusing to hear auditions? Well, finally La Cieca has uncovered at least part of the job description. An Artistic Administrator (for example, Diane Zola of the Houston Grand Opera) is a sort of lackey to the lawyers who run the opera company, assigned to such busywork as writing threatening letters to poor powerless bloggers like La Cieca:

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Septuagenarian Song

The New York Post‘s Clive Barnes is going to blush beet-red when he hears from the publicists (or the lawyers) who handle Placido Domingo. In a review of the Met’s Rigoletto, Barnes refers to PD as “the 72-year-old tenor.” Domingo admits to 65, though some gossips have long sniped that this figure doesn’t add up with the dates of his earliest documented performances. (La Cieca might as well say right now that there are even a few Placidophobes out there who would add, “and they got the ‘tenor’ part wrong too,” but she’s not even going to go near there.) [...]

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Motezuma sings again!

Vivaldi’s Motezuma, the opera that refuses to die, will grace the boards after all, says an article by Paul Moor at Musicalamerica.com. A court in Duesseldorf has held that the Altstadtherbst Festival in that city may stage the piece, regardless of a previous injunction against performances filed by the “copyright owner,” the Berliner Sing-Akademie. (The court apparently regarded the case as rather urgent, since it took the unusual step of calling an Eilverfahren, a type of expedited hearing, to settle the matter.) This is an interesting legal problem. The Sing-Akademie claims copyright under a German law that an ancient work [...]

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Neither intellectual nor proper

La Cieca has to say she is just plain appalled at the turn of events in the Opera Barga / Motezuma fracas. Not that she’s any particular fan of Vivaldi opera, but the behavior of the officials at the Berlin Sing-Akademie (who claim copyright ownership of this 270-year-old opera) strikes her as unartistic and just plain nasty. The Sing-Akademie basically stumbled over a manuscript containing something over half the opera. They then published the Motezuma torso online, which under German law apparently grants them a 25-year copyright. Well, the law is the law, even when the law is an ass, [...]

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