Headshot of La Cieca

Cher Public

  • messa di voce: The first two acts of Widow are masterful, and Act 2, especially, can be quite touching. Then... 8:14 AM
  • Quanto Painy Fakor: Florence Foster Jenkins was never like this! httpv://www.youtub e.com/watch?v=vC07 rPoK9lI 8:08 AM
  • Belfagor: Quite agree, give me Offenbach any day. He always seems far edgier and zanier than these Viennese... 8:07 AM
  • Belfagor: Noch pered Rozhdestvom is not going to pull in the crowds…̷ 0;..Christmas Eve is better!... 8:04 AM
  • Lohengrin: I liked Maltman as Lescaut, Tezier seems to smart for that bad guy…. Not that he could not... 7:58 AM
  • Feldmarschallin: Arabella at the Liceu: http://bachtrack.c om/de_DE/review-ar abella-schwanew... 7:27 AM
  • Feldmarschallin: Maltmann as Iago and then Breslik as Othello and Erdmann as Desdemona. 7:23 AM
  • Cicciabella: Basso, I would have given up a day of my allotted lifetime yesterday to hear Botha singing with... 5:41 AM
  • La marquise de Merteuil: Evans is by far the hottest Dracula 5:11 AM
  • La marquise de Merteuil: Be very afraid … 5:11 AM

My knapsack on my back!

Cher public, I give you a photograph of Jonas Kaufmann in a hoodie with a teeny birdie on his shoulder!

33 comments

  • antikitschychick says:

    word on da street is dat dis wigga gotz game…n he fine as fffff** :-P .

  • pasavant says:

    Just got back from hearing Gerald Finley sing Winterreise in Philadelphia. One of the high points of the season. A wonderful artist: great singer and a great musician.

  • Krunoslav says:

    I seem to be the fault finder these days. He IS an exceptional artist and a great singer; I don’t think this was the best recital I have heard from him. Impressive, but he did have some problem with both intonation and voice production at the very top. Serious commitment, as ever, and I’m glad to have heard it.

  • Adalgisa says:

    Peter Pears and Benjamin Britten, anyone?

  • Cicciabella says:

    Just finished listening to the Kaufmann/Deutsch Winterreise, and I think it’s simply wonderful. After the somewhat disappointing Verdi album, Kaufmann is back with a vengeance. As to be expected, his approach is very “operatic”, but highly nuanced. Dynamic variation and contrast make this journey a dizzying emotional roller coaster. Kaufmann uses an astonishing palette of vocal colours to convey a myriad emotional states: reflection, wistfulness, nostalgia, loneliness, bitterness, and, above all, rage and desolation of the soul. His voice sounds supple and juicy. His employs piani of the utmost beauty and sweetness, and his bottom register is rich and steady. No growling, crooning or other indulgences. His phrasing is marvellous, as always, and his diction exemplary. Helmut Deutsch is his excellent self. Bravi!