Headshot of La Cieca

Cher Public

  • baridave: And Baayork Lee. 9:06 PM
  • Quanto Painy Fakor: Why in the world would he want to sing Siegmund? Big mistake. 9:03 PM
  • Operngasse: Thanks for this well-written review. Maybe I’ll try to see a performance, although I doubt... 8:54 PM
  • Krunoslav: I think, in their pre-Met salad days, Charles Kullman and William Lewis could have furnished some... 8:46 PM
  • Jungfer Marianne Leitmetzerin: Fascinating stuff! I dearly regret that I just missed the opportunity to... 7:56 PM
  • Greg.Freed: Huh, well I’m glad Mr. Kosman was more blown away by Haroutounian than I was though... 7:47 PM
  • manou: http://tinyurl.com /nuez4gh 7:37 PM
  • Quanto Painy Fakor: Jagde is probably the most All-American looking Cavaradossi ever. Very GQ. 7:31 PM
  • Greg.Freed: No, and that’s part of what works about it. Bosquet, we are told, didn’t slavishly... 7:15 PM
  • Avantialouie: Is this setting “geographica lly accurate”? I mean, is this REALLY the exact view... 7:04 PM

My knapsack on my back!

Cher public, I give you a photograph of Jonas Kaufmann in a hoodie with a teeny birdie on his shoulder!

33 comments

  • antikitschychick says:

    word on da street is dat dis wigga gotz game…n he fine as fffff** :-P .

  • pasavant says:

    Just got back from hearing Gerald Finley sing Winterreise in Philadelphia. One of the high points of the season. A wonderful artist: great singer and a great musician.

  • Krunoslav says:

    I seem to be the fault finder these days. He IS an exceptional artist and a great singer; I don’t think this was the best recital I have heard from him. Impressive, but he did have some problem with both intonation and voice production at the very top. Serious commitment, as ever, and I’m glad to have heard it.

  • Adalgisa says:

    Peter Pears and Benjamin Britten, anyone?

  • Cicciabella says:

    Just finished listening to the Kaufmann/Deutsch Winterreise, and I think it’s simply wonderful. After the somewhat disappointing Verdi album, Kaufmann is back with a vengeance. As to be expected, his approach is very “operatic”, but highly nuanced. Dynamic variation and contrast make this journey a dizzying emotional roller coaster. Kaufmann uses an astonishing palette of vocal colours to convey a myriad emotional states: reflection, wistfulness, nostalgia, loneliness, bitterness, and, above all, rage and desolation of the soul. His voice sounds supple and juicy. His employs piani of the utmost beauty and sweetness, and his bottom register is rich and steady. No growling, crooning or other indulgences. His phrasing is marvellous, as always, and his diction exemplary. Helmut Deutsch is his excellent self. Bravi!