Cher Public

  • DerLeiermann: Soprano lirico fotogenico sounds like a fach a young singer in the Santa Fe Opera apprenticeship program would claim. I love... 2:33 AM
  • Camille: We got hooked by this and are currently in the last part of Act III and yes, you sure do learn a lot, Buster, you are so right!... 10:07 PM
  • Camille: Only referring to either/or of these ladies as the prototypical soprano lirico fotogenico of each other’s respective time... 10:04 PM
  • Krunoslav: ‘ Vogt and Kaufmann were on opposite ends of the spectrum vocally.’ Really? Have you tried Lauritz Melchior, Paul... 9:48 PM
  • mercadante: Not really, Farrar could take an interval cleanly. 9:30 PM
  • kashania: I was referring to her second act hat but both are fabulous, really. 9:07 PM
  • Porgy Amor: No, that is Act One. For the Act Two processional, there is a hat that had never been alive (presumably) that is just as... 9:00 PM
  • rapt: Is this the chapeau in question? http://www.mvdaily .com/articles/2007 /03/lohengrin1.jpg 8:25 PM

My knapsack on my back!

Cher public, I give you a photograph of Jonas Kaufmann in a hoodie with a teeny birdie on his shoulder!

33 comments

  • antikitschychick says:

    word on da street is dat dis wigga gotz game…n he fine as fffff** :-P .

  • pasavant says:

    Just got back from hearing Gerald Finley sing Winterreise in Philadelphia. One of the high points of the season. A wonderful artist: great singer and a great musician.

  • Krunoslav says:

    I seem to be the fault finder these days. He IS an exceptional artist and a great singer; I don’t think this was the best recital I have heard from him. Impressive, but he did have some problem with both intonation and voice production at the very top. Serious commitment, as ever, and I’m glad to have heard it.

  • Adalgisa says:

    Peter Pears and Benjamin Britten, anyone?

  • Cicciabella says:

    Just finished listening to the Kaufmann/Deutsch Winterreise, and I think it’s simply wonderful. After the somewhat disappointing Verdi album, Kaufmann is back with a vengeance. As to be expected, his approach is very “operatic”, but highly nuanced. Dynamic variation and contrast make this journey a dizzying emotional roller coaster. Kaufmann uses an astonishing palette of vocal colours to convey a myriad emotional states: reflection, wistfulness, nostalgia, loneliness, bitterness, and, above all, rage and desolation of the soul. His voice sounds supple and juicy. His employs piani of the utmost beauty and sweetness, and his bottom register is rich and steady. No growling, crooning or other indulgences. His phrasing is marvellous, as always, and his diction exemplary. Helmut Deutsch is his excellent self. Bravi!