Headshot of La Cieca

Cher Public

  • Ilka Saro: “gets cast only rarely” is an accurate and scary term. When contracts are signed 5... 6:55 AM
  • Ilka Saro: First good laff of the day! 6:48 AM
  • Ilka Saro: JDF can always console himself by continuing to singing with incomparable brilliance, as he has... 6:46 AM
  • Ilka Saro: That’s some very fine singing, and a very comely appearance! 6:33 AM
  • Rudolf: And I thought that Milano “Traviata 221; with Damrau was weird. Geneva gives us Alfredo in a... 6:16 AM
  • williams: Vostra Maesta, Regina delle fate, Exactly! To my taste the Benelli/Camarena style is more pleasing.... 6:11 AM
  • oedipe: When a singer is not on the Met’s radar, or gets cast only rarely by the Met, people’s... 6:11 AM
  • oedipe: http://www.vittori ogrigolo.com/sites /vgrigolo/files/im agecache/highslide _full/vittorio_... 5:51 AM
  • Feldmarschallin: http://www.hamburg ballett.de/form/vo rschau_14_15.pdf Some interesting casting…... 5:02 AM
  • Cocky Kurwenal: I saw John Osborn sign Arnold in the 5,000 seat Royal Albert Hall very convincingly, so while... 4:48 AM

My knapsack on my back!

Cher public, I give you a photograph of Jonas Kaufmann in a hoodie with a teeny birdie on his shoulder!

33 comments

  • antikitschychick says:

    word on da street is dat dis wigga gotz game…n he fine as fffff** :-P .

  • pasavant says:

    Just got back from hearing Gerald Finley sing Winterreise in Philadelphia. One of the high points of the season. A wonderful artist: great singer and a great musician.

  • Krunoslav says:

    I seem to be the fault finder these days. He IS an exceptional artist and a great singer; I don’t think this was the best recital I have heard from him. Impressive, but he did have some problem with both intonation and voice production at the very top. Serious commitment, as ever, and I’m glad to have heard it.

  • Adalgisa says:

    Peter Pears and Benjamin Britten, anyone?

  • Cicciabella says:

    Just finished listening to the Kaufmann/Deutsch Winterreise, and I think it’s simply wonderful. After the somewhat disappointing Verdi album, Kaufmann is back with a vengeance. As to be expected, his approach is very “operatic”, but highly nuanced. Dynamic variation and contrast make this journey a dizzying emotional roller coaster. Kaufmann uses an astonishing palette of vocal colours to convey a myriad emotional states: reflection, wistfulness, nostalgia, loneliness, bitterness, and, above all, rage and desolation of the soul. His voice sounds supple and juicy. His employs piani of the utmost beauty and sweetness, and his bottom register is rich and steady. No growling, crooning or other indulgences. His phrasing is marvellous, as always, and his diction exemplary. Helmut Deutsch is his excellent self. Bravi!