Headshot of La Cieca

Cher Public

  • basso profundo: He has a decent voice but, having met him, I’m not sure if “good-lookin g”... 1:14 AM
  • Guestoria Unpopularenka: LOL @ the bows after Celeste Aida. Who’s this tenor? 12:54 AM
  • Krunoslav: Oops! Thanks, Scared Monster– I now realize I confused him with Adam Diegel. I did hear... 12:19 AM
  • Flora del Rio Grande: . . . Oh, and I over looked Kansas City. It has not only a winning ball club, but a... 11:59 PM
  • Flora del Rio Grande: Well, the old Met house was a Real Opera House in spite of certain shortcomings. The... 11:58 PM
  • SacredMonster: Jagde has never sung @ Glimmerglass, don’t know who you heard but I don’t think... 11:47 PM
  • Krunoslav: To rephrase: “he impressed ONLY as being good-looking and stentorian” 11:37 PM
  • Quanto Painy Fakor: Perhaps someone who is familiar with the vintage of the vehicles can confirm the date. 9:24 PM
  • Quanto Painy Fakor: But it was the norm to dress like that for the opera and it’s definitely the... 9:23 PM
  • baridave: And Baayork Lee. 9:06 PM

Tales of the planet Htrae

“If Maria Callas remains the prototype of the stormy operatic diva, then Renée Fleming is the anti-Callas. It’s difficult, for example, to imagine ‘La Divina’ delivering the Top 10 List for David Letterman—complete with references to Miley Cyrus’s fondness for twerking—as Fleming did this past September.” [Michigan Avenue]

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