Headshot of La Cieca

Cher Public

  • Milady DeWinter: Flora – I think you may have mis-read my reaction to Guestroia’s comment on... 10:01 AM
  • Grane: They are my most trusted source for reading about musicians losing their instruments. ;) 9:19 AM
  • Feldmarschallin: You are welcome and you also have mail from me. Not what are you thinking but that will... 9:15 AM
  • Rackon: Thank you for the detailed report! This is one production I would dearly love to see, especially with... 9:10 AM
  • PushedUpMezzo: Rowna – how beautiful! That song is rather Mahlerian. 7:43 AM
  • MontyNostry: As I said here a few weeks ago, he really sounded really good as the Apparition in the ROH... 7:32 AM
  • manou: Mais naturellement, chère Fidelia. There is a particularly outré French joke in paragraph 1. which... 7:25 AM
  • Fidelia: Ah Manou, you are the joy of my life! Do you EVER make a bad joke? 7:17 AM
  • manou: Thanks Feld – nice musical morning. 6:56 AM
  • manou: Giuseppe Gipali does. 6:32 AM

Double digits

“Promiscuous — it’s not a pretty word. But when a matron in black underwear cavorts with two dozen naked hunks, what else can you call her? That’s one of the more striking images director Jay Scheib devised for Thomas Adès’ 1995 Powder Her Face, which this weekend jolted the New York City Opera’s brief spring season to a sizzling start.” [New York Post]

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