Headshot of La Cieca

Cher Public

  • kennedet: Okay, it’s a folk song. Before I’m corrected. 11:24 AM
  • kennedet: Leave Ms. Norman alone! She’s “got the right to sing the blues”! 11:13 AM
  • DellaCasaFan: Indeed, happy St. Cecilia’s Day. And, since it’s also Britten’s birth date,... 11:13 AM
  • Quanto Painy Fakor: Now that Die Voigt has her own radio program on WQXR (“The Sopranos”... 11:11 AM
  • DeepSouthSenior: Hymel’s strength as ” . . .comfort with constant high-ish tessitura . . ”... 11:09 AM
  • NPW-Paris: I see in this month’s Opéra Magazine that at the Montpellier Opera, which is struggling,... 10:21 AM
  • Will: Maybe in a big space her voice smooths out, but I don’t hear the beguilingly soft and sweet top... 10:17 AM
  • Cicciabella: - tenors whose cars get stolen 10:01 AM
  • armerjacquino: A huge round of applause for the thread title. 9:46 AM
  • MontyNostry: - Ethnic paranoia. - Snide jokes that you can’t understand and which probably aren’t... 9:31 AM

Double digits

“Promiscuous — it’s not a pretty word. But when a matron in black underwear cavorts with two dozen naked hunks, what else can you call her? That’s one of the more striking images director Jay Scheib devised for Thomas Adès’ 1995 Powder Her Face, which this weekend jolted the New York City Opera’s brief spring season to a sizzling start.” [New York Post]

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