Headshot of La Cieca

Cher Public

  • Milady DeWinter: Tanner is indeed hard on the ears – I was somewhat traumatized by his Samson.... 1:40 PM
  • la vociaccia: I might try to get to her performance, then. I was also planning on going to Tamara... 1:17 PM
  • antikitschychick: lol Milady it’s ok. You don’t have to apologize for disagreeing with me,... 1:05 PM
  • antikitschychick: ok for all those who have yet to see this here is proof of how compelling L :shock: mi can... 12:56 PM
  • Krunoslav: Tanner is scheduled for 1/2, the same show as the debut of Marjorie Owens. , I heard her in the... 12:54 PM
  • Krunoslav: “[W]ho knows more about Italian opera than Muti?” –Fiend and Billingsgate... 12:51 PM
  • la vociaccia: Palombi, the tenor on youtube bleating the entirety of ‘Vesti La Giubba’ out of... 12:45 PM
  • antikitschychick: thanks for responding to my comment Ivy. I now totally get what you mean and again, I... 12:38 PM
  • manou: He was in the Gods. 12:30 PM
  • Cicciabella: “…the braying of asses and the grunting of hogs.” Did Martin Luther attend... 12:20 PM

Double digits

“Promiscuous — it’s not a pretty word. But when a matron in black underwear cavorts with two dozen naked hunks, what else can you call her? That’s one of the more striking images director Jay Scheib devised for Thomas Adès’ 1995 Powder Her Face, which this weekend jolted the New York City Opera’s brief spring season to a sizzling start.” [New York Post]

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