Headshot of La Cieca

Cher Public

  • bronzino: It’s the ‘M’ word, isn’t it? ‘Marketing&# 8217;. Gasp. And yet. Can... 1:13 AM
  • La Cieca: Among opera composers, I don’t think anyone much consciously wrote “for the... 11:30 PM
  • La Cieca: Nonsense. Everyone knows Daniels is a daddy. 11:19 PM
  • irontongue: The only Meyerbeer staging of the last century except for L’Africaine in 1900, 1901, 1907,... 11:14 PM
  • Poison Ivy: Godfrey: Do you mind telling me just what a scavenger hunt is? Irene: Well, a scavenger hunt is... 10:24 PM
  • phillyof: Bronzino ( and all ): Naturally, I asked about the revisions to the work post-Santa Fe, but... 10:20 PM
  • Quanto Painy Fakor: You have no idea who my favorites are and you are definitely not among them. 10:15 PM
  • Indiana Loiterer III: As to your last question: topicality is big these days in all the arts and has been... 10:12 PM
  • Poison Ivy: And I suppose your favorite Andrea Bocelli demonstrates mastery of technical matters, resonance,... 10:08 PM
  • Indiana Loiterer III: …or perhaps a case of miscasting. LP seems to be a lyric-coloratura, and... 10:04 PM

Double digits

“Promiscuous — it’s not a pretty word. But when a matron in black underwear cavorts with two dozen naked hunks, what else can you call her? That’s one of the more striking images director Jay Scheib devised for Thomas Adès’ 1995 Powder Her Face, which this weekend jolted the New York City Opera’s brief spring season to a sizzling start.” [New York Post]

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