Headshot of La Cieca

Cher Public

  • Cicciabella: *expansive. Although I’m glad I caught autocorrect’ s processing of Pappano’s... 5:30 AM
  • Cicciabella: Everyone knows if you fly economy class, you catch all kinds of bugs. Commiserations to those... 5:26 AM
  • manou: Same sets, radical rethink. And Plasson. http://www.forumop era.com/faust-pari s-bastille-eau-... 4:14 AM
  • CwbyLA: When my enemies stop hissing, I shall know I’m slipping. Maria Callas 3:31 AM
  • liloloperaluv: Ed, second that Brava. I share your enchantment with with the gifted voices of opera singers.... 2:46 AM
  • davenport: Why should anyone be surprised after all these years that La Cieca is still dissing Renee... 2:45 AM
  • mia apulia: and here it is, with many wonderful things, not the least of which is Baltsa: httpv://www.you... 2:32 AM
  • Greg.Freed: Utterly off-topic in any thread: do you ever wonder about the people you knew on Opera-L or, god... 1:43 AM
  • m. croche: There are in the world a few Semenchuki who have opted for Semienchuk. Russo-Magyars will opt for... 1:29 AM
  • mia apulia: I do have a treasured memory of the first time I heard her, it was on a Gala from Vienna on TV,... 12:46 AM

Double digits

“Promiscuous — it’s not a pretty word. But when a matron in black underwear cavorts with two dozen naked hunks, what else can you call her? That’s one of the more striking images director Jay Scheib devised for Thomas Adès’ 1995 Powder Her Face, which this weekend jolted the New York City Opera’s brief spring season to a sizzling start.” [New York Post]

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