Headshot of La Cieca

Cher Public

  • Jungfer Marianne Leitmetzerin: Feldmarschallin – shall I assume you heard that Anne Schwanewilms has... 5:49 PM
  • DonCarloFanatic: Made me laugh. Correct me if I am wrong, but didn’t she skip some runs of fast notes... 5:40 PM
  • Lohengrin: Will wait to start my gardening till middle of April when I come back from Austria. Then it is... 4:32 PM
  • Feldmarschallin: Well you can plant certain things that don’t mind if the weather gets a little cooler.... 4:23 PM
  • Lohengrin: Feld, isn´t it a litte early to start planting? Will be cold the next days and nights. I have sawn... 4:01 PM
  • Feldmarschallin: Well I turned the Parsifal back on. The Requiem didn’t work for me. Don’t know... 3:46 PM
  • Camille: Ah, to be home again, back in the Bowl! It is so much fun to sit there on a warm summer’s... 3:33 PM
  • Feldmarschallin: Yes Camille all is well again. Busy in the garden already plating peas, kohlrabi and... 3:20 PM
  • Camille: Krunoslavsky— You were not only correct about Shagimuratova, you didn’t even rag on about how... 3:16 PM
  • Camille: Yes, but at least she is experienced in the role and that counts for something. I just can’t... 3:12 PM

Double digits

“Promiscuous — it’s not a pretty word. But when a matron in black underwear cavorts with two dozen naked hunks, what else can you call her? That’s one of the more striking images director Jay Scheib devised for Thomas Adès’ 1995 Powder Her Face, which this weekend jolted the New York City Opera’s brief spring season to a sizzling start.” [New York Post]

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