Cher Public

  • kashania: Manou: Thank you for your review, which I read with interest. I’m glad you came back. It would’ve been... 12:44 PM
  • Batty Masetto: When I was at Oberlin, we did think of it as Midwest even though our cultural focus was more on New York than on Chicago... 12:38 PM
  • phoenix: Covington, KY – right across the river. It was a great airport years ago. - Now, for E- + those devout wikipedians amongst... 12:35 PM
  • Cicciabella: So Musetta is Mimi’s understudy. Who understudies Musetta? The mother of the child whining for toys in Act II? 12:02 PM
  • Quanto Painy Fakor: First time I flew to Cinti, we landed in Kentucky! 11:59 AM
  • manou: http://www.roh.org .uk/people/ekateri na-bakanova 11:48 AM
  • Cicciabella: Yoncheva out of tonight’s ROH Traviata. Bakanova in. Who is Bakanova? 11:44 AM
  • phoenix: Thanks – glad you mentioned the lighting. - As for the chairs, they should be unmovable – operahouses must be fined... 11:42 AM

Double digits

“Promiscuous — it’s not a pretty word. But when a matron in black underwear cavorts with two dozen naked hunks, what else can you call her? That’s one of the more striking images director Jay Scheib devised for Thomas Adès’ 1995 Powder Her Face, which this weekend jolted the New York City Opera’s brief spring season to a sizzling start.” [New York Post]

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