Headshot of La Cieca

Cher Public

  • la vociaccia: It doesn’t say much about his respect for his American fans if you insist that he never... 10:56 AM
  • Milady DeWinter: “I feel confident in saying that what we hear of Caballé here is not from the Muti... 10:55 AM
  • Milady DeWinter: Agreed cara Marshie et Camille – not Urmana, it’s the Ghena (who I saw when she... 10:51 AM
  • Ilka Saro: I must dig more into Petkov. Very interested. On the Lady M of M, I saw it this season at the Met... 10:34 AM
  • Doctor Octavian: Ah, don’t forget Petkov is also the deliciously vile Boris in the landmark Lady... 10:23 AM
  • La Valkyrietta: I almost went to make the standing room line on Wednesday for the first time since... 9:35 AM
  • aulus agerius: And next week ACA is in San Antonio in a tiny 200 seat theater for 2 performances of La Voix... 9:34 AM
  • thirdlady: I agree that it is not quite as awful as the productions you cite; I also saw it the first time... 9:33 AM
  • droperalover: Feldmasrchallin, can you help point out such “obviousR 21; likely cancellations for... 9:24 AM
  • Krunoslav: I wouldn’t know, since I have no idea who you are,but that is the tone of your... 9:24 AM

Geherheimnis

“Since no opera company in the U.S. has quite got up the courage to present a Herheim production, this webcast offers us a chance to sample this director’s unique style of Regie: it’s simultaneously brainy and exuberant, somehow balancing strict intellectual rigor and the brashest theatricality. It’s a bit like hearing a treatise from TDR performed by Lypsinka.” Our Own JJ returns to the pages of Musical America with his latest Rough and Regie column. (Thanks to Likely Impossibilities for the very handy neologism in the headline!)

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