Headshot of La Cieca

Cher Public

  • Sempre liberal: I must admit, the Robert Greenberg Great Courses talks can help pass the time. The Verdi... 11:37 PM
  • Quanto Painy Fakor: She has the widest vibrato I have ever heard, making the likes of Calleja and Florez... 10:52 PM
  • danpatter: That’s a real find! Thanks for sharing this. I’d never heard her before. 8:18 PM
  • kashania: It’s true. I may have been optimistic there. 6:59 PM
  • mia apulia: like a forgotten bad dream from many years ago, suddenly recalled 5:46 PM
  • armerjacquino: Yep. One note does not a role make, but I can’t see Mattila relishing the idea of... 5:32 PM
  • moi: I can agree somewhere, that Mattila’s acting does not seem as intuitive as it was once… well... 5:31 PM
  • aulus agerius: I doubt if Mattila can produce the high Cs anymore. They were very strained even 8 years ago... 5:23 PM
  • kashania: Yeah, the fourth act of Manon Lescaut was actually very good. I, too, think that Minnie would work.... 5:18 PM
  • littoraldrift: While I generally think Mattila should just steer clear of Italian roles — the Manon... 5:12 PM

Geherheimnis

“Since no opera company in the U.S. has quite got up the courage to present a Herheim production, this webcast offers us a chance to sample this director’s unique style of Regie: it’s simultaneously brainy and exuberant, somehow balancing strict intellectual rigor and the brashest theatricality. It’s a bit like hearing a treatise from TDR performed by Lypsinka.” Our Own JJ returns to the pages of Musical America with his latest Rough and Regie column. (Thanks to Likely Impossibilities for the very handy neologism in the headline!)

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