Headshot of La Cieca

Cher Public

  • Camille: Thank you and Joan very very much. Tonight I am going “pre-code 221; and watching RAIN! I am... 2:38 PM
  • Clita del Toro: Cammie dear, you can always buy a life’s supply of Swiffers (which I love) from Harriet... 2:23 PM
  • tannengrin: 90th floor? Tower of Babel? Nebuchadnezzar? Nabucco? httpv://www.youtub e.com/watch?v=k... 2:19 PM
  • Buster: Upcoming: the Salome of Mireille Delunsch! Singing it, not directing it. She will direct Dialogues des... 2:05 PM
  • Clita del Toro: Right but I bet their executives are still giving money to anti-gay causes! I will do some... 1:59 PM
  • Camille: Salomanda, Thinking now that you are a pretty sharp cookie as my husband agrees with you on every point... 1:58 PM
  • Henry Holland: please keep in mind I live in an operatic wasteland, commonly referred to as L.A., and I’ve... 1:54 PM
  • tatiana: Not for me–I have Daniels/Domingo/Mi lnes and heard the other one in the House . . . no, thank you,... 1:46 PM

The debut that got away

judy-a-star-is-born-1954-germanposter02“After all that, it would be gratifying to declare Petersen’s debut a ‘star is born’ moment. But… she was pretty much a nonstarter, her Ophélie hovering on the cusp of inaudibility in midrange and shrill on the highest notes.” [NYP]

43 comments

  • La Cieca says:

    You are talking about a restaurant where you paid in advance for your meal and received a voucher saying that the kitchen staff is subject to change without notice?

  • iltenoredigrazia says:

    Sounds familiar.

  • iltenoredigrazia says:

    Note that I meant an expensive restaurant, not the neighborhood coffee shop.

  • jwbari says:

    When I said in #20 that it is insulting to L Partridge I was mainly referring to the engagement of Jane Archibald for the final two performances. Leah Partridge sang the final dress (three weeks after going on as Marie for Diana Damrau) and did a great job. I am sure there are a number of capable singers in house at the MET who could cover those final two performances. As for the lack of covers not being an issue, you are correct, but you aren’t going to keep finding covers that have tons of stage experience like Leah Partridge or even the favored Sarah Coburn. Shame on the Met for missing an opportunity to promote American talent who are deserving.

  • Byrnham Woode says:

    LaCieca is of course right to list the many fine aspects of undertaking a cover assignment, particularly at the MET with the fabulous coaching and networking. I’ve been an understudy (in “spoken” theater), and know what it’s like to have to go on with inadequate rehearsal and in circumstances with advance warning and time to work things out. It’s quite a ride.

    I still think the opera world risks doing a disservice to a talented, promising singer when they rehearse and prepare them to perform and then fly in an underrehearsed but senior artist who doesn’t know the staging. There seems to be an implication that the cover singer is still “wanting”, and that isn’t always the case.

    Yes, one can exaggerate the legendary tales of the understudy who came back a star – I didn’t include one such anecdote in my previous message. But I’ll close with an anecdote about Bing, who was having a contrempts with Corelli, who was making noises about not singing that night. So Bing arranged for Corelli to walk by a rehearsal studio where McCracken was warming up the opera in question (probably TURANDOT or something much like it). Corelli sang.

  • wladek says:

    The mistake being made is to assume
    all this cover chat has to do with music and the magic Hollywood ” a
    new star is discovered ” and everyone
    goes home happy . Mr. Gelb is
    running a business ,he deals in singers like packages off the shelves.
    He could be selling shoes for all the
    difference it makes to the world of music. Everyone can comment on artistry and ability but he has to fill the seats , a full house is his aim ,
    If he gets in the bargain a good voice , so much the better, if not
    he takes some flack and goes on
    to the next. I am sure Mr. Gelb
    is aquainted to some degree with
    great singers and perhaps also to the art of singing, but he also knows
    what pays the rent and puts food
    on his table .

  • am Gutierrez fan and I love what she does with the Ophelie aria, but there are holes at the very top of the range that I find jarring and, honestly, a little scary

    I actually think that the reason for this is that Eglise is actually not a coloratura but following the stradition of young sopranos singing coloratura roles in their youth but moving away from them as they mature. Moffo, Scotto, Freni and several others did it and it worked.

    I think when it is all said and done, Eglise’s voice will settle into a nice full lyric soprano.

  • Krunoslav says:

    Could those clamoring for Sarah Coburn’;s Met debut please get it through their heads that this very talented singer has already sung there: one of the NOZZE Due Contadine in 2003 and five performances of THE FRST EMPEROR in 2007-8?

    I agree she’s a far better singer than the generic Partridge and unlike Netrebko she can actually sing I PURITANI.

    But no more calls for her Met debut, PLEASE!

  • javier says:

    If there are still callas for Coburn’s Met debut it’s because her actual debut wasn’t very memorable. Haha.

  • The Vicar of John Wakefield says:

    Where on earth was Sally Silver???