Headshot of La Cieca

Cher Public

  • Chanterelle: Of the principals I liked Stoyanova and Groissböck best. This Ochs isn’t totally deluded... 5:34 PM
  • willym: And????? 5:25 PM
  • Clita del Toro: Salzburg Rosenkavalier. I really liked Stoyanova as I said. Given that she is not the... 4:47 PM
  • BaronScarpia: You can see/hear Christine Goerke’s Walkure Brunnhilde in Toronto with the Canadian Opera... 4:17 PM
  • steveac10: It’s about both! Opera is a type of theatre, and if you look at the descriptions given to... 4:09 PM
  • Lohengrin: Thats it!! But you have to think about the time, when this or that opera was written. Verismo is... 4:04 PM
  • Will: Opera is about voice AND the stage. Neither can or should be slighted to emphasize the other. Opera is... 3:27 PM
  • Will: Merry Wives has become opera a few more than a half dozen times. Here’s what I researched for a... 3:23 PM
  • Porgy Amor: Yes, yes, I know. “Tours de force.” 2:57 PM
  • Porgy Amor: Successful staging of purely musical passages: Patrice Chéreau’s Wozzeck. At least for the... 2:53 PM

magnum “forza”

vai_forza

La Cieca is delighted to present, by special arrangement with VAI, the legendary “New Orleans Forza” as the latest installment of Unnatural Acts of Opera.  This live performance was recorded in March of 1953 and stars Zinka Milanov, Mario del Monaco and Leonard Warren.  You can hear the first act after the jump.  La forza del destino (Verdi) Part 1

This podcast is based on VAI AUDIO CD 1252-3, which is available from amazon.com.

21 comments

  • Camille says:

    A 1979 Met performance of Don Carlo featured a very scary Wildermann as the Grand Inquisitor. Never saw him again but never have forgotten him. Guess that old truism about there being no small roles is correct in this instance.