All the fine young cannibals All the fine young cannibals

Offenbach‘s Robinson Crusoé is salvaged from obscurity. 

There’s a parade in town There’s a parade in town

Les Brigands at the Paris Opera is an expensive joke that never lands

My Lott in life My Lott in life

Some of my blog‘s habitués (they do exist) will know that I sometimes quote the people around me at the opera.

Blythe esprit Blythe esprit

Operettas always seem to be on the menu for New Year’s Eve, so Chris’s Cache joins in with a broadcast of Offenbach’s delicious La Grande-duchesse de Gérolstein featuring Stephanie Blythe in the title role.

Grown deep like the rivers Grown deep like the rivers

June is long gone. It was truly a month of excellence and exuberance here in San Francisco, coupled with cozy and inviting weather, as if to make up for the extended winter.

Grand design Grand design

Trove Thursday offers Offenbach’s delightful La Grande-duchesse de Gérolstein featuring Jennie Tourel, Laurel Hurley and Martial Singher, led by Arnold Gamson.

High ‘Society’ High ‘Society’

Off-and-on since last fall my PPP (Personal Pandemic Project) has been assembling a chronology of the American Opera Society. For 19 years beginning in 1951 it presented a remarkable series of concert performances of works unperformed by either the Met or New York City Opera.

Contes stop the music Contes stop the music

Trove Thursday wades into the murky musicological waters of Offenbach’s Les Contes d’Hoffmann..

All about my mother All about my mother

On her 90th birthday “Trove Thursday” presents the late great Belgian mezzo Rita Gorr parenting Régine Crespin in Massenet’s Hérodiade.

Racing with the moon Racing with the moon

For better or worse, Decca’s new Norma recording will ultimately be embraced—or dismissed—by those reacting directly to Cecilia Bartoli’s controversial portrayal.

With a little bit of Gluck With a little bit of Gluck

The best joke in Offenbach’s delicious Orphée aux Enfers is the opening premise: Orphée and Eurydice are miserably married, due to her utter boredom with his old-fashioned music.

Blue movie

For those of us newly accustomed to watching The Met: Live in HD cinecasts and similar events in our neighborhood theaters, it is easy to forget that opera as cinema was once a very different experience. Ritter Blaubart, one in a series of seven films by Walter Felsenstein recently released on DVD, shows us the…