Resisting the recognizable
It was Matthew Jocelyn’s libretto, with its disorientingly deconstructive approach to its source text, that gave Brett Dean’s Hamlet its identity.
42 pieces since 2008 — at 1 company, most often at Metropolitan Opera.
1 piece as Metropolitan Opera — stats above show all coverage for Hamlet.
View allIt was Matthew Jocelyn’s libretto, with its disorientingly deconstructive approach to its source text, that gave Brett Dean’s Hamlet its identity.
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