“You’d been so cruel to me at the party. Imitating me, making people laugh at me. I watched you get out of the car and I wanted to run you down, crush you. You saw the car coming. I hit the gates. Snapped my spine.”
Francesca Zambello, director of Disney’s The Little Mermaid, will be awarded the Chevalier Ordre des Arts et des Lettres (Order of Arts and Letters) by the French government for her contribution to French culture. The reception will be held on Monday, March 10th at The Cultural Services of the French Embassy.
Dashing Donald Collup has expanded into yet another media niche with a series of podcasts featuring audio highlights from his acclaimed Astrid Varnay documentary DVD “Never Before.” Here la Varnay recalls her legendary colleague Zinka Milanov. More Astridiana (along with lots of other goodies from the Collup collection) may be found at the official “Never…
At long last, the solution to the Casta Diva II Quiz.
With his usual impeccable taste, Ed Rosen has posted five selections of prime Giuseppe di Stefano on his Premiere Opera Podcast page. Investigative Operachic follows reactions in the Italian media. Opera News has republished a profile of the tenor from 2000 with some representative di Stefano anecdotes. And here di Stefano appears on Il Musichiere,…
(If you haven’t had your turn guessing at this week’s Regiequiz, go here.) Brava, Olivia (among others), who guessed the answer to this week’s video Regiequiz. Let’s take a look at the video with the original sound and subtitles restored:Â
Our previous Regie quiz returned La Cieca to her position of mysterious superiority since even her very clever cher public weren’t able to figure out that the opera represented was… Das Land des Lächelns. The director was our old, old, old friend Peter Konwitschny. And now for your next challenge.
Here’s a rousing opening number by the original company of The Sound of Music. At about 3:33 it’s hard to miss a very familiar face. Stay with the video even after glimpsing our surprise religieuse for an earful of Patrica Neway‘s “Climb Ev’ry Mountain,” with more than enough vocal goods to compensate for the “Queen…
Calixo Bieito? Over! Peter Konwitschny? Yesterday’s news! And David McVicar? Head for the showers! The new home of cutting-edge Regie is in little Seattle, my god, and who could have devised so utterly innovative and openly homoerotic take on Salome? Our Own Wenarto, of course!
The cher public have spoken, and their chosen Rossini oeuvre, to be featured on the next Unnatural Acts of Opera, is…
Electric Elaine Eliane Coelho chews the scenery, leaves blood on the stage, and if there are any pregnant women in the audience, probably turns their fetuses gay right on the spot, all in just one scene from the gloriously gory melodrama from Carlos Gomes, Maria Tudor. Since YouTube embedding is acting a little odd this morning,…
Just when La Cieca thought she would never get another chance to use the “popera” and “turbans” tags in the same post, she found this clip!
When the weather outside is described as “wintry mix,” La Cieca’s thoughts stay inside, where it’s cozy and warm. Which doesn’t exactly explain why she’s posting this video of a pre-Il Divo David Miller in Rigoletto, but, then, does one really need a reason? [kml_flashembed movie=”http://youtube.com/v/8HCeAMm8Vx4″ width=”425″ height=”350″ wmode=”transparent” /]
In a collaboration that La Cieca is delighted to describe as a “tête-à -tête-de-peau,” musical director Enrique Mazzola and director Calixto Bieito rehearse Der Fliegende Holländer for Stuttgart.
La Cieca is the last one to contradict the libretto of Manon Lescaut, but she believes that the Louisiana is no desert — at least where exciting young singers are concerned. Here’s New Orleans native Bryan Hymel, whose singing is both Big and Easy!
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On February 9, Eva Marton joined the very select sorority of sopranos who have sung all three leading female roles in Elektra when she made her role debut as Klytämnestra at Liceu in Barcelona. (Come to think of it, there are only two other members of that club, Dame Gwyneth Jones and Leonie Rysanek!) La…
La Cieca urges you in the cher public to register on parterre.com. After the simple registration process, you should remain logged in to the site indefinitely, or anyway until you deliberately log out (see the “meta” section of the menu bar to the left). The advantage of registering is that you will not need to key…
La Cieca is once more available for dancing in the streets and shouting from the housetops for the (admittedly off-topic) reason that the Technicolor musical campfest Torch Song has made its long-awaited debut on DVD. Only in 1953 — with the Red Scare, the threat of nuclear annihilation and the growing threat from televsion bewildering studio exectives —…
Wondrous Wenarto is back and more bloodthirsty than ever. [kml_flashembed movie=”http://www.youtube.com/v/f876_Xw-LYA” width=”425″ height=”350″ wmode=”transparent” /] The Wenarto interpretation is a worthy addition to the YouTube classics by Montserrat Caballé, Leonie Rysanek, Anja Silja and especially William Zauscher.Â
In this operatic adaptation of the Bette Davis classic Dead Ringer, sparks fly when twin sisters Margaret Phillips DeLorca (Grace Bumbry) and Edith Phillips (Grace Bumbry) meet again after 20 years! [kml_flashembed movie=”http://uk.youtube.com/v/8oRpMGQmyG8″ width=”425″ height=”350″ wmode=”transparent” /] Again, La Cieca extends her gratitude to the amazing coloraturafan.
A recently rediscovered telecast of Il trovatore from Covent Garden in the fall of 1964 features the Azucena of Giulietta Simionato. This is the only video record of the legendary mezzo in one of her greatest roles. (La Cieca is unutterably indebted to the YouTubers felipecunha and coloraturafan for alerting her to this magnificent document.)
Here is a new discovery for La Cieca, brought to her attention by Erstegeiger, for which many thanks. If Florence Foster Jenkins, Lucille Ball and Natalie Dessay had a three-way, and if one of them (or more) got pregnant, that baby just might grow up to be: Mabouba Sol della Vega! [kml_flashembed movie=”http://uk.youtube.com/v/QcEp9STHFUc” width=”425″ height=”350″…
Announcing a new category on parterre.com, an award of sorts for examples of the garish, the gaudy, the over-the-top in things operatic. Not filth, mind you — we’re talking good, but just, you know, too much. La Cieca’s special jury prize for this type of operatic ham will be called “Le Jambon d’Or,” and our…
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
