Ahead of his first season as the Music & Artistic Director of the New York Philharmonic, how much longer can — and should — Gustavo Dudamel stay quiet about the situation in his native Venezuela?
The moral stench seeps through Peter Gelb‘s decision to partner with the Saudi government, but what new sources of funding for the Met don’t have red flags?
My recollections of Hurricane Katrina, which made landfall in Louisiana twenty years ago today, come with a pair of odd bookends: it starts with Verdi’s Don Carlo and ends with Puccini’s Il trittico.
Ahead of tomorrow’s Live in HD, Michael Steinberg talks Leonore, Salome, and the “endemic misogyny” of Claus Guth‘s new production
Hunding, of Die Walküre notoriety, is the most misunderstood character in opera.
A nonstop flow of COVID related announcements from New York City performing arts organizations has swept the city the past weeks.
For the Met, high ticket costs, hostile unions and COVID are only part of the problem, according to performer, teacher and writer David Rohde.
Last year at this time, performance arts organizations in NYC were announcing that the COVID pandemic would force closures through the summer. We here at parterre box, having honed our mantic powers predicting the precise timing of a singer’s vocal collapse, foresaw a grimmer reality.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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