Three of the Met’s most cunning vocalists, Juan Diego Flórez, Joyce DiDonato and Diana Damrau, wrap their tongues around the trio from Le Comte Ory.
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This just in from the Met press office: “On the advice of his doctors, James Levine will reduce his conducting dates at the Met for the rest of the current season while he continues to recover from recent procedures to alleviate back pain. His planned performances of Das Rheingold on March 30 and April 2 will…
“[J]udging singers in their 20s is truly difficult, especially with so much at stake for the finalists, including a $15,000 cash prize for each winner. Comparably gifted pianists in their 20s are much more likely to be technically assured and finished performers. Operatic voices, though, need long nurturing. Most young singers are still working out…
Some interesting turns of phrase in the Met press office’s announcement that Valery Gergiev will not (shockeroo!) show up tomorrow to conduct a single performance of Boris Godunov:
UPDATE: “Alan Held will sing the title role in the revival of Wozzeck for all performances this season, replacing Matthias Goerne, who will undergo knee surgery in April,” says the Met press office. EARLER: La Cieca has been alerted that “wir arme Publikum” should be ready for a major cancellation/casting change announcement from the Met…
Our own JJ reflects on a pair of French operas, Roméo et Juliette and L’africaine, neither of which you could exactly call “grand.” [New York Post]
Mezzo-soprano Isabel Leonard has been named the recipient of the sixth annual Beverly Sills Artist Award for young singers at the Metropolitan Opera. She receives a $50,000 prize and is married to Teddy Tahu Rhodes, which frankly strikes La Cieca as overkill. (Photo: Marty Sohl/Metropolitan Opera)
“Margaret, what is it Big Daddy always says when he’s disgusted?” asks the immortal Big Momma in dear Tennessee Williams‘ Cat on a Hot Tin Roof, which Maggie answers, “He says bull when he’s disgusted.” Well, your own Big Momma (i.e., La Cieca has been speaking to a Met insider (pictured) about certain recent headline-grabbing…
UPDATE: This just in from the Met press office: “Hei-Kyung Hong will sing the role of Juliette in Roméo et Juliette for performances from March 3 through March 22 this season, replacing Angela Gheorghiu, who is ill. The role of Juliette for the Saturday, March 26 performance is TBA.” EARLIER: Angela Gheorghiu has just announced…
The definitive evidence that the Met was far too wildly optimistic when scheduling Armida.
James Levine has just canceled his remaining engagements for the season with the Boston Symphony, including a tour to Carnegie Hall and the Kennedy Center. The canceled dates run through March 19; Levine’s next performance at the Met is scheduled for March 30. [WBUR]
“Rachelle Durkin will sing the role of Norina in this Saturday’s matinee performance of Don Pasquale, replacing Anna Netrebko, who is ill,” says the Met press office.
In this artist’s conception, your intrepid girl reporter La Cieca is seen covering tomorrow’s season preview press conference at the Met. Assuming she regains consciousness in time, watch for her live reports from the event beginning at 1:00 pm, right here on parterre.com!
Until Monday evening, I never placed Don Pasquale in my list of favorite operas, but the four principals were so magnificent that I realized just how special an opera can be when it is sung so well. Remember that works like this—Elisir, Ory, Flute, rather than Aida, Forza, etc.—can be performed beautifully today since the…
Having completed her season of Giulio Cesare in Paris, Natalie Dessay next takes on Lucia di Lammermoor in New York. A glimpse of the soprano’s Handelian chops and perhaps a hint of her current vocal estate, after the jump.
La Cieca is pretty sure this is going to be a popular choice, and she thinks as well she’s just discovered parterre’s new resident futurologist. Congratulations to Baritenor (pictured) for his exhaustive essay on the Met’s 2011-2012 season.
“At a time of life when most opera singers can barely remember their glory days, 70-year-old Placido Domingo is still giving performances singers half his age could be proud of.” Our Own JJ‘s latest review is a love letter to the Met’s revival of Iphigénie en Tauride. [New York Post]
As perhaps you may have heard hinted hereabouts, “Gary Lehman and Stephen Gould will sing the role of Siegfried in the Met’s 2011-12 season performances of Wagner’s Siegfried and Götterdämmerung, replacing Ben Heppner who has retired the role from his repertory.” That’s according to a release from the Met’s press office less than an hour…
La Cieca hears that the continuation of the Ring cycle at the Met next season will go on without the participation of Ben Heppner. We’ll have more details next week when the Met makes their season announcement, but La Cieca’s impression is that the two Siegfrieds are at the moment some combination of Gary Lehman…
Courtesy of contextual ad placement, here’s a quick and easy way to remember the meaning of the German term “Kulturbanause.”
“A milestone in history, a hyped Met premiere and a gaggle of A-list artists added up to something less than a sensation Wednesday night when the Metropolitan Opera offered its first performance of John Adams’ Nixon in China.” [New York Post]
Overheard after last night’s performance of Nixon in China: “That’s the first time I’ve heard the word ‘motherfuckers’ shouted from the Met stage since John Dexter resigned.”
All this talk about girls and ladies prompted La Cieca to turn (not for the first time!) to Brad Wilber’s Met Futures Page, freshly updated just a couple of days ago. So detailed and fascinating is Brad’s vision of the future that La Cieca is inspired to invite the cher public to play a little…
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