“Two Boys demonstrates that Mr. Muhly is capable of very great things indeed, offering extended glimpses of the kind of masterpiece he just missed writing here, and, more happily, of the kind of masterpiece I feel confident he will write in the future.”
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That 60 Minutes piece everyone’s been talking about, with Peter Gelb describing opera as “blood sport,” after the jump.
“The Met’s production, originally directed by John Copley, is still a hideous, confusing mess. But with Ms. Meade and Ms. Barton acting with moving subtlety, singing generously and feeling deeply, it was hard to care.”
Who knows what to expect from an opera about the Internet?
A shocking message one teenager sends to another leads to scandal and death in an opera featured in this season’s “Live in HD” series from the Met.
Prominent local “billionaire scam artist” Alberto Vilar has asked for an extension on his court-imposed curfew so he may attend the Met’s Eugene Onegin and “socialize” afterward with the performers.
Our Own JJ surveys the first week of the Met’s season (Eugene Onegin, Cosi fan tutte, The Nose, Norma) for the New York Observer.
While James Levine’s name might not immediately spring to mind when pondering the great Mozart conductors, he does have a long and distinguished career leading operas by the Austrian master.
Last night, the Met opened the 2013-14 season with a handsome, fairly conservative new production of Eugene Onegin by Deborah Warner that replaces the handsome, fairly conservative one by Robert Carsen. (The trend is clear.)
The scene outside the Met last night (above) and inside (after the jump).
Tonight at long last brings us to our first Met livechat of the season, cher public.
You have voted, cher public, a total of 2,265 times, and you’ve decided!
La Cieca is happy to present the following readymade blind item.
Onegin, which opens the Met’s season on Monday, has taken an unusually precipitous tumble…
La Cieca hears that soprano Pretty Yende, a standout Met debutante last season in Le Comte Ory, has signed with the company for for four roles over the next three years: Pamina and Lucia in 2014-2015, Adina in 2015-2016 and Rosina in 2016-2017.
La Cieca has been wining, dining and otherwise wooing her Met connection (pictured above) and he (or is it she?) has come across with some tidbits about upcoming seasons at Casa Gelb.
“The Met is proud of its history as a creative base for LGBT singers, conductors, directors, designers, and choreographers.”
Wonder no more! Says the Met press office, “Elina Garanca has withdrawn from her 2013-14 Met engagements because she is pregnant with her second child, who is due this winter.”
The Met’s season-opening production of Eugene Onegin will be directed by Fiona Shaw,
Wendy White is suing the for a 2011 accident on stage during a performance of Faust.
Stefan Herheim‘s production of Die Meistersinger is set on the surface of Hans Sachs’ writing table!
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