Although Leonard Bernstein’s Trouble in Tahiti is always categorized as an opera, the piece certainly has one foot planted firmly in his jazzy musical-theater style.
“Hopper’s Wife turned out to be the most unpleasant piece as I’ve heard since NYCO’s notorious fiasco The Dreyfus Affair, two decades ago.”
“Let’s say that the Metropolitan Opera wants to broadcast all of its operas in 3-D. They might not want to do that over the public Internet. Who knows what other technologies might bring us?” As seen here, a possible marketing campaign for Les Contes d’Hoffmann. [New York Observer]
La Cieca knows that one should not judge any work by the odd snippet, but she’s going to go out on a limb here and predict that FrÃ©dÃ©ric Chaslin‘s Wuthering Heights will be the next big camp opera in the “Technicolor Twaddle” tradition of The Ghosts of Versailles and The First Emperor. Update: the videos…