By the end of the first act, it was clear to me that I was experiencing an artist performing at her absolute peak.
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During its first-ever Roberto Devereux Thursday evening one felt transported back to the Volpe years: four of the Met’s biggest stars shining in an opulent (if occasionally perverse) but reassuringly non-challenging production paid for by Sybil B. Harrington.
On the occasion of Sondra Radvanovsky‘s role debut in Roberto Devereux, I thought this would ba a good opportunity to put put together a compilation of some of my favorite artists singing the fiendishly difficult final scene of this opera.
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