Stefan Vinke brings to Tristan an indefatigable heldentenor of sturdy, muscular brilliance and a physical intensity that allowed him to fearlessly traverse this complex character’s broad emotional compass.
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Jonathan Dove’s Flight, which premiered at Glyndebourne in 1998 and is now being streamed by the Seattle Opera, is structured like one of those baroque extravaganzas where some half dozen characters find themselves (in every sense) on a magical island, its properties little understood.
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