One got a sense that the Met and the maestro directed most of the rehearsal and preparation toward the opening night premiere of the Heggie opus
This is the hardest piece I’ve ever tried to write for parterre.
One got a sense that the Met and the maestro directed most of the rehearsal and preparation toward the opening night premiere of the Heggie opus
This is the hardest piece I’ve ever tried to write for parterre.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.