The world is your balloon
If it wasn’t anything special as art or even entertainment, Lyric Opera of Chicago’s recent production of Rinaldo (March 24) does offer an excellent peg on which to hang an argument about the future of opera in America.
Review
Royal Hunt
I have been a devotee of Berlioz’s Les Troyens since I first discovered the Covent Garden recording conducted by Colin Davis.
Lady of the Fake
When Verdi’s Macbeth returned to the Met Thursday night, miscasting doomed the revival as surely as any witch’s curse.
Casual Friday
The symbolism and themes of suffering and redemption in Parsifal have provided catnip for more than a few oddball stagings filled with Regie excesses.
By Adriel
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And no bones!
Apparently, opera fans got the bright side of the bargain: say “Macbeth” in the theater and you court cataclysm; utter the name in the opera house and, as often as not, you merely predict disappointment.
Counter attack
By the end of its 2012-13 season, the Met will have presented four HD transmissions in less than two years featuring countertenors in prominent roles.
It happened in Moscow
When I first watched the DVD Hvorostovsky in Moscow with guest star Sondra Radvanosky, I was absolutely amazed at the superb quality of the singing.
Questo Weimar rosso
The case for this DVD production of Puccini’s La Boheme from Opera Australia is all about the “inspired concept” of director Gale Edwards to move this oft-told tale from 1840’s Paris all the way to the Berlin at the end of Weimar-era Germany. Hmmm.
A star is reborn
Let’s start with some refreshing news: Poèmes is the finest thing Renée Fleming has recorded in many a season.
Teenager in love
L’elisir d’amore, Donizetti’s evergreen comedy about young love, returned to the Met last night with a strong cast, a high energy level from all the performers, and last but not least, a very full house.
Senior moment
Being an opera lover in Los Angeles is a lot like being a Red Sox fan. As hard as they try we never make it to the World Series, let alone the playoffs.
Now it is the turn of the poor little small one
It is hard to know just who is the intended audience for this release of Pelléas and Mélisande.
Rain on the Rufus
“With Anjelica Huston, Parker Posey and Yoko Ono dotting the crowd at BAM Sunday afternoon, the New York City Opera’s premiere of Prima Donna offered more diva presence offstage than on.”
She wants to be a primadonna
On Saturday I attended the premiere performance of a new production of Ariadne auf Naxos at the Festspielhaus in Baden-Baden, Germany. It was Renée Fleming’s debut in the title role…
Nothing but nets
This 2010 DVD
of Brecht and Weill’s Rise and Fall of the City of Mahagonny from Madrid assumes pride of place among the available video versions of the opera.
She’s fallen and she can’t get up
“New York City Opera performed La Traviata at BAM Sunday afternoon. That’s who, what, where and when. But this was a performance without a ‘why’.”
Stop! or my mom will percuss
“No tenors, no arias, no orchestra pit, no plot. Can You, My Mother really be called an opera?”
Mountain high
Yes, the plot of Luisa Miller is a novella, and a pleasantly juicy one at that.
Enfin, elle est en notre présence
Almost exactly one hundred years ago on March 18, 1912, the Metropolitan Opera gave its final performance to date of Armide.
Castille soap
“A revival of Verdi’s Ernani at the Met on Thursday proved tastefully understated. In other words, it missed the point entirely.”
One more “Kiss”
The Poisoned Kiss derives its plot from the legend of the girl raised on poison so that her very kiss will kill.
Pout and about
I could feel my face (to say nothing of my spirits) sink as I opened an envelope from La Cieca containing a new Decca CD
to review.
Tales that witness madness
Orlando is the first of three Händel operas based Orlando Furioso, Ariosto’s 15th-century adaptation of the 12-century poem, Chanson de Roland, the other two operas being Alcina and Ariodante. This epic tale of heroism, love, reason and madness also served as the basis for operas by Lully, Vivaldi, Haydn and Scarlatti. In fact, Händel based […]
Noble salvage
The New Year’s Eve gala at the Met ushering out 2011 was the world premiere of the much-anticipated mash-up The Enchanted Island AKA “baroque opera for those who hate (or at least don’t know) baroque opera.
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).