A convocation of mezzos–and a pride of tenors–produce hundreds of sixteenth notes in a bewitching Rossini showpiece
Five fatal Swedish/Bostonian love triangles
The Metropolitan Opera Guild has come such a long way since the days of dear Mrs. August Belmont!
Sam Neuman shares tips and tricks for behaving like a cultured person at the opera.
Joining the talking and singing heads of Aria Code is Our Own JJ, deconstructing “Mon coeur s’ouvre a ta voix.”
WQXR, the Metropolitan Opera, and WNYC Studios introduce Aria Code.
Mean, moody, magnificent Matt Baume (left) hosts a live version of his celebrated podcast The Sewers of Paris this afternoon beginning at 5:00 PM Eastern time.
Our Own JJ (pictured) joins in the debate over the Düsseldorf Tannhäuser with Anne Midgette and John Berry.
While we’re waiting for further news on the final Tosca of the Met season, La Cieca suggests we consider the diva and the non-diva, on the other side of the jump.
Let’s talk about chest: theories, recollections, examples, caveats… All about chest, in fact. To start the conversational ball rolling, here’s what some celebrated mid 20th century divas have to say about the subject of chest voice. [kml_flashembed movie=”http://www.youtube.com/v/j2hd_2m1qXE” width=”425″ height=”350″ wmode=”transparent” /] Chest nut Charlie Handelman has so much to say on “voce di petto”…
“It’s been long enough, Ephraim.” JudyCast has decided to join the human race again!
La Cieca wishes her dear, dear, dear friend many happy returns, and reminds her cher public that Charlie’s podcasts (gleaned from his vastissimo collection) are about the best opera you can find anywhere on the web.
Premiere Opera Podcast has returned after a hiatus of several months, and, as always, Ed Rosen keeps us up to date with the latest tenor activities. Recent episodes include excerpts from a duo recital (Juan Diego Flòrez and Rolando Villazòn) and a Lucia scene from Stephen Costello.