Cher Public

The ladies who liaise

stritch_armfeltOur own JJ (not pictured) revisits A Little Night Music, and who should be inhabiting that chateau extravagantly overstaffed but Elaine Stritch? [Capital New York]

Things never change, Jo

dame_joIn a tidbit sure to warm the cockles of Our Own Vicar of John Wakefield, beloved artist Dame Josephine Barstow will return to the ‘boards’ of the Gran Teatre de Liceu in April 2011.  The legendary septuagenarian singing actress will be heard in the pivotal rôle of “Mummy Lucy” in Richard Jones‘s inscenation of Rustic Chivalry.

Tee party

tee_thumbOur Own CruzSF has devised a delightful new pastime, which consists of posing in a parterre box t-shirt “in front of the great and not-so-great opera houses of the world.”

First up: the Napa Valley Opera House. 

That’s after the jump.

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Ashley/Auntie

post_separationIn an unexpected bonus round of “This Diva Looks Like That Diva,” conspiracy theorists will surely puzzle over the eerily similar headshots of these two New York Post columnists.   Read more »

Secret Squirrel

La Cieca is happy to note that Our Own Squirrel will be on-site at Symphony Space this afternoon with live breaking coverage of the triumphs and/or scandales associated with the prima of Carmen from La Scala, as seen on HD. Coverage starts here at parterre.com at 11:45 AM.

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Opera is a meritocracy

They want it. The career. They want it really bad. So we learn from Susan Froemke’s Metropolitan Opera-commissioned documentary about the participants in the final round of the 2007 MetNational Council Auditions, which is out on DVD this month. Our own doyenne reviewed the film when it was screened as an HD theatrical event, and by now many of us know the winners and their work. Since you are all wondering whether to rush out with $20 in your hands, perhaps a few remarks on the DVD release are in order.

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I am not a hit

The world needs a lot of things: health care, happiness, homo marriages, peace, prosperity and butterflies. What it doesn’t need is a mediocre “budget” recording of a contemporary opera already satisfactorily recorded with the original cast.

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Castrata Diva

Cecilia Bartoli’s latest vanity release bucks protocol to present an album heavy on historical concept. The classical recording industry has long feasted on the popularity of operatic solo records, especially during the last few years of industry-wide decline in CD sales. Incidentally, as record companies run out of ways to sell the standard repertoire to collectors who already own it five times, baroque and early opera are also selling well. 

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