Cher Public

Born to lose

So, another way Anthony Tommasini might have put this is, “Robert Lepage‘s direction of a crucial scene in the Ring is even worse than Otto Schenk‘s, if such a thing is possible.”

And in the ‘how’

Yesterday’s first installment of a selected Rosenkavalier video overview covered two classic filmed performances, one from the 1960s and one from the 1970s. Today’s continuation closes out the 20th-century selections, crosses the millennial mark, and includes the first of our performances to depart from the opera’s prescribed 18th-century setting.   Read more »

Today or tomorrow or the day after that

“Time is a strange thing,” the lady observes, to a young man who cannot begin to understand what she is talking about. “While one is living one’s life away, it is absolutely nothing. Then, suddenly, one is aware of nothing else. It is all around us—and in us too.”  Read more »

The sprite in you

Today’s Rusalka video overview covers filmed performances of Dvorák’s opera since 2010.

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Geh such dir die Stars vom vergangenen Jahr!

Tristan has been the season-launching opera three times before now, but good luck finding someone to provide a firsthand account of the last time.

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Not only with words, but with lively gestures

“I will never sing the role again. It was frightful. We were a set of madwomen…There is nothing beyond Elektra. We have lived and reached the furthest boundaries in dramatic writing for the voice with Wagner. But Richard Strauss goes beyond him. His singing voices are lost. We have come to a full stop.” 

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