Cher Public

Home brew

FigaroFor some, opera in New York City equals the Met, but due to a recent contretemps many may now know there’s also LoftOpera. But an extraordinarily rich variety of other work happens locally, as one can see scanning through the roster of recent offerings grouped under the umbrella of New York Opera Fest.  Read more »

Stage mother

The internecine machinations of those who ruled—or sought to rule—the Roman Empire have long provided rich material for writers and composers, and on Thursday evening operamission continued its ambitious plan to stage in chronological order all of Handel’s operas by presenting one of the most delicious of those Roman-based works, Agrippina which premiered in Venice in 1709.   Read more »

Self-conquest

Likely more than 30,000 people attended the ten-performance run of the Met’s recent Giulio Cesare (with many thousands more viewing its April 27 HD-transmission). Probably no more than 100 gathered Tuesday in a curtained-off space in the lobby of NYC’s Gershwin Hotel to witness the North American premiere of Rodrigo by operamission. But much of this wildly uneven version of Handel’s second opera felt more deeply genuine than the Met’s more polished, yet vapid “show biz” effort. Read more »

Grand, hotel

Sneaking in under the wire during the final week of May were two highpoints of New York’s opera season: the Cleveland Orchestra’s Salome with a stunning Nina Stemme and operamission’s revelatory US stage premiere of a complete edition of Handel’s first opera Almira.

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