Metropolitan Opera general manager Peter Gelb warns of a “disaster scenario” unless all staff and unions agree to pay cuts of 10% next season. [via NYT]
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La Cieca wants to give a quick “shout-out” (as the youngsters say, they tell me) to “critic, novelist and record-store clerk” Daniel Stephen Johnson, who on top of all that is not only one of our newest and nicest commenters, but a smart and sassy blogger in his own right. He writes somewhat in the…
“George is actually the perfect person for City Opera in this chapter of its institutional life, said the house’s chairwoman, Susan L. Baker. [via NYT] Also: La Cieca hears that Two-Face is already en route to New York City, where he will meet with his new underlings at 11:00 AM Thursday.
In a startling double-reverse action, the board of the New York City Opera has chosen George Steel as the company’s new General Director. The formal announcement of Steel’s appointment made moments ago (as, need one say, La Cieca predicted) in the New York Times. Steel, whose 14-week incumbency as General Manager of Dallas Opera has…
La Cieca is hearing grumbles (second and third hand, but the hands are mostly reliable ones) that the current skeleton staff of the New York City Opera are being kept in the dark by the company’s board about future plans. In particular, La Cieca hears that one detail that will obviously be revealed in the…
Pre-gentrification New York landmark Amato Opera will close its doors in May, at the end of its 61st season. Tony Amato gave the news to his company before Saturday night’s performance of “The Merry Widow.” The Bowery building housing the minscule stage and auditorium has been sold to a developer. [via NYT]
Celebrated fact-mangler Norman Lebrecht is at it again. Did you know that the Metropolitan Opera has in its repertoire a production of Der Rosenkavalier directed by Jonathan Miller? This interview includes a statement by Dr. Miller insisting his current La boheme (inspired by “the photoÂgraphic world of Brassaï, Cartier-Bresson and Kertezsz,” dontcha know) will be the…
Oh, La Cieca just can’t put anything over on a smartyboots like our own Hans Lick, who guessed within seconds that last week’s Regie quiz was in fact Benvenuto Cellini. Let us hope that even Ironic Hans will be puzzled by this week’s mystery production, after the jump.Â
Broadway star, opera diva, image consultant, self-help guru: the late Dorothy Sarnoff was all these and more. But did you know that (according to the New York Times) Ms. Sarnoff was also a pioneer in the field of gay-themed opera?
There’s a rumor that’s been sort of meandering around for the past few weeks in vague will o’ the wisp format concerning the New York City Opera. (As if anything about that company right now is anything but vague, but still…) So here goes. One of the restructuring models that La Cieca keeps hearing about…
Our Own Gualtier Maldè reports: Not every opera has to be a masterpiece. I couldn’t subsist on a steady diet of Tristan und Isolde, Die Zauberfloete, Fidelio, plus Otello, Falstaff et al. Frankly the occasional light comic bonbon or trashy but fun melodramatic tunefest makes a nice palate cleanser. I am talking Adriana Lecouvreur, La…
A foundation created by the late soprano Birgit Nilsson will award a prize of one million dollars this year to an “outstanding achievement of a concert or opera singer, a classical or opera conductor, or a specific production by an opera company.” The first award winner was chosen by Ms. Nilsson herself and the foundation…
Some disturbing speculations from a reader in Vienna: Just in case you are one of those opera lovers who believe that Deborah Voigt has one of the greatest voices ever, don’t read any further and press “delete”. I just heard her Salome at the Vienna Staatsoper. It was a disaster. The audience booed her ferociously,…
Well, the first thing La Cieca will say about the Met’s 125th Anniversary Gala is that for all its sprawling splendor it doesn’t look quite what you’d call entertaining. Or rather let’s say it looks as if it won’t sound very entertaining. The visual element — you know, computer-animated Marc Chagall murals and Waltraud Meier…
Lord help the Mister who does fact-checking for the Times arts section! A correction published today thoroughly dispels all those rumors about  Lisa and Pauline, as seen in the Met’s current revival of The Queen of Spades. “They are friends, not sisters,” the correction helpfully informs us, and La Cieca will add that other than that one…
La Cieca has just about given up on the New York Times so far as accuracy goes, but it still rankles when a thoroughly disproven urban legend is casually quoted as factual truth. In a review of a novel called Winnie and Wolf, critic Patrick McGrath repeats the canard that Winifred Wagner supplied the paper…
“The entertaining and friendly type. They are especially attuned to pleasure and beauty and like to fill their surroundings with soft fabrics, bright colors and sweet smells. They live in the present moment and don´t like to plan ahead – they are always in risk of exhausting themselves.” That’s how La Cieca (as author of…
Official word from the Met concerning rumored cutbacks in next season is that Ghosts of Versailles is to be replaced with a revival of Traviata, rolling over Angela Gheorghiu and Thomas Hampson. No word on what happens to Kristen Chenoweth, but Peter Gelb promises that the new productions are going ahead as scheduled. [via NYT]
Sadly, La Cieca, who foresaw the beginning, foresaw the end as well.
Cher public, who else but La Cieca brings you such in-depth arts coverage that you get not one but two reports from spies at the dress rehearsal of the Met’s new La Damnation de Faust ? After the jump, eyewitness accounts of the Lepagerie from Our Own Gualtier Maldè and Sanford.Â
And “booed at La Scala” is the new “began career at Continental Baths.” [NYT]
La Cieca can’t put anything over on you any more, cher public. Would you believe that within half an hour after she posted the most recent Regie quiz, Baritenor correctly divined that it was a production of Wagner’s Rienzi, as staged by none other than Wagner’s great-granddaughter Katharina. Maybe this week’s quiz will be a…
La Cieca is surprised to note that with only a day left in the spectacular Which Witch competition, there are only a few official entries, with a tie (10 correct each) between the top two contenders. It may be that your doyenne got a little cocky this time around and made the quiz impossibly difficult…
“There is nothing like young performers to refresh older pieces.” [NYT]
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