At a time of year when most opera company employees are hectically rushing about producing opera, the administrative staff of the New York City Opera enjoyed a two-day “furlough” last week. Meanwhile, the company’s finance officials frantically passed the hat among “board members, private donors and other sources†to meet this week’s payroll. [via NYT]
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Climaxing “a two-year search,” Glimmerglass Opera has pulled off the unique coup of persuading a British music director to lead an American music festival. According to the New York Times, David Angus, whose international credits include the Glyndebourne Festival, the London Philharmonic Orchestra and the London Mozart Players, will succeed his compatriot Stewart Robertson at…
“When Mr. Tetzlaff emerged on the scene in his early 20s (still trim, boyish and energetic at 42, he does not look much older)…” [NYT]
In what is becoming the New York City Opera’s only conduit of information to the public, a Friday afternoon news dump reveals that the company has laid off 11 members of its administrative staff. The layoffs are “because of financial pressures and a lack of work caused by the cancellation of most of its season.”…
Who says media overexposure isn’t good for the career? Note, for example, how the heavily hyped bass-baritone Erwin Schrott has now made the transition into a dual career as lyric baritone and spinto soprano. And that poor schlub who used to update the blog for Martha Stewart now writes captions for the New York Times!
Sharpen those nails and slather on a fresh coat of “Jungle Red,” ladies, because La Cieca hears that “it’s on” between two of the biggest players in NYC’s opera criticism power gay elite. (Well, admittedly that’s not a large pool of talent, but what they lack in numbers they more than make up for in…
Antifashionista Tony Tommasini says (among other things) this morning “You can see for yourself in an online montage linked to this article, not to mention a lavish spread in the current issue of Vogue, with Ms. Fleming modeling all of her designer costumes.” Okay, La Cieca gives up. What “online montage?” Where’s the link?
Tuesday morning: A further report from Lindoro Almaviva: Over all the night was a success d’estime. It was a Renee worship night and we got just that. I am sure you will be able to talk in better terms about the singing or lack thereof. My impression is that Renee had an “acting” night, as…
Need you ask who discusses the subject of nudity in opera (among other performing arts) in today’s Times? [W]hen nudity seems called for and natural, it can lend disarming humanity to a drama. There was, for example, Richard Greenberg’s “Take Me Out,†at the Public Theater in 2002, about a superstar baseball player who reveals…
Legendary Metropolitan Opera wig mistress Nina Lawson died last week at the age of 82. Above, a sample of Ms. Lawson’s coiffure for Joan Sutherland‘s first Met Norma at the peak of the Big Diva Hair era, circa 1970. [via NYT]
Cher public, you may recall that it was La Cieca who was the first to break the story that Gérard Mortier was under consideration to be the next General Manager of the New York City Opera, not quite a week before confirmation appeared in the moribund print media. Since then the irreverent intendant has made a…
“…the conception of Brundle, at least as portrayed by Mr. Okulitch, has poignant allure. Mr. Goldblum was a mad, wiry scientist with raging eyes. The young, boyishly handsome Mr. Okulitch makes Brundle more of a dreamer, awkward and soulful, who has lived in near seclusion, building his telepods and fantasizing about transporting himself, transcending the…
La Cieca can’t put anything past Tamerlano, who guessed the answer to our previous Regie quiz almost immediately: it was indeed Ariadne auf Naxos. And now, with a reminder to all that this is a guessing game, no blurting out the answers if you recognize the production, here’s out next quiz (right after the jump):Â
My dears, you only thought the whingeing about the Met ticket exchange line was over. Now that the shell-shocked and frostbitten survivors of the Gelb Gulag have dragged themselves back to their rent-controlled flats on upper Columbus Avenue, the next stage of the protest against the Met’s barbaric practices can begin. As in every violent…
La Cieca is warning you she’s going to get meta for a while here, so if it’s opera (or even hunks) you’re interested in, you might want to skim or just skip this posting altogether. Anyway, your doyenne has noticed lately on another blog or two where she is a commenter a phenomenon she is…
Today’s NYT includes an overview of the kvetchfest that was yesterday’s first day of subscription ticket exchanges at the Met. La Cieca thinks it’s just so quaint that every public event in New York eventually degenerates into threats of coup d’état (“I was thinking of figuring out a way to organize this group to take…
The ideal match of subject matter to critic: the role debut of Teddy Tahu Rhodes in Billy Budd, as reviewed by Anthony Tommasini. (“On being pressed into service, Billy is made a foretop man, and repeatedly throughout the performance Mr. Rhodes climbs up and down rigging with abandon, sometimes using only his arms.”)
This photo by Nancy Palmieri for The New York Times illustrates a review of Karol Szymanowski’s King Roger, a production that even Tony Tommasini thought was just too gay. Perhaps the cher public have ideas for an alternative caption for this photo?
You can’t get anything past Our Own tannengrin, who almost immediately identified Simon Boccanegra as the subject of the most recent Regie quiz.Â
At long last, scent-lovers who want a perfume container that looks like the powder room chez Alberto Vilar will get their wish. The packaging for “La Voce Renée Fleming” has been unveiled!
British composer Keith Burstein, who ran up legal costs of £67,000 defending a test-case libel action, has been told he must declare bankruptcy if he wants to continue pursuing the case in a higher court. The libel complaint stems from critic Veronica Lee‘s review of Burstein’s opera, Manifest Destiny, performed at the Edinburgh Festival in August…
The Beautiful Voice is known for her improvisational skills both as an actress and as a musician (who can forget her “Over the Rainbow” or “O légère hirondelle?”) Now La Fleming has harnessed her spontaneity to create a variant text for her first public performance of a celebrated Puccini aria. Manon ho studiato UPDATE: The…
It would be tempting to say that the Wagner dynasty has nothing on the Menotti family, except that it’s just not true. The generational intrigues of the descendants of the Meister (as detailed in Brigitte Haman’s Winifred Wagner: A Life at the Heart of Hitler’s Bayreuth), reflect the superhuman scale of Wagner’s musical vision. The…
The cabaret show “Viva la Diva,” directed by Our Own JJ and starring Dorothy Bishop, has been booked for an additional performance this week as part of the Pillowfight Theatre Festival. The show goes on at 9:00 p.m. on July 3 at The Green Room at 45 Bleecker. Tickets are $25 at the door. Already…
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