“As the Met chorus raised their voices at the climax of Les Contes d’Hoffmann Thursday night, the tavern setting opened up, revealing … a gray wall. It was a sadly appropriate visual symbol for a glamour-deprived dud of a new production.” [NY Post]
37 comments
“Since the 1918 premiere of Puccini’s Il Trittico, only two divas at the Met dared to sing the leading roles in all three of its one-act operas: Renata Scotto, a supreme vocal stylist, and Teresa Stratas, a magnetic singing actress. On Friday, Patricia Racette, who is not quite either of these things, took the plunge.”…
Our JJ writes his rave of raves: “If such a thing as perfection in opera is possible, in this House of the Dead, the Met achieves it.” [NY Post]
Our Own JJ interviews the Met’s general manager Peter Gelb in today’s New York Post.
“Beefcake and hamantaschen may seem an odd menu, but in the New York City Opera’s first season in two years, they somehow make a balanced meal.” [NY Post]
“Since its 1987 premiere, this Franco Zeffirelli production has transitioned from breathtaking to tasteless to endearingly camp.” [JJ in NYP]
“She was pretty but blank onstage back then, but Tuesday night’s opening performance found her too far the other direction, transforming the ironic, moody aristocrat into a Lifetime movie drama queen.” [NYP]
JJ reviews the Met’s current revivals of Aïda and Il barbiere di Siviglia in the New York Post. Meanwhile, the Times leads with the boos.
Our JJ‘s review of the Met’s revival of Le nozze di Figaro didn’t make it into today’s New York Post for reasons that you should be able to figure out once you’ve read the piece. At the suggestion of his editor, La Cieca is publishing it here.
“Tosca is no highbrow psychological study — it’s an operatic slasher movie.” [NYP]
Our Own JJ (not pictured) nominates the can’t-miss operatic and vocal events of the autumn of 2009. [NYP]
Notorious cumblogger JJ has finally cleaned up his mess. [New York Post]
Our Own JJ reviews A Flowering Tree in today’s New York Post.
“Thrilling musical ideas rapidly alternate with banalities, as if Meyerbeer feared he was writing for an audience with the attention span of a gnat.” Our Own JJ weighs in on Les Huguenots in the New York Post.
Our Own JJ braved the wilds of the Lincoln Center Festival, where he saw and reviewed The Peasant Opera, though for reasons best known to himself he omitted any mention of the giant jeweled dildo. [NYP]
Simply everyone chimes in today about Monday night’s Met in the Parks recital at Central Park SummerStage. JJ has one take, Anthony Tommasini quite another, and for depth of detail, you need look no further than Our Own Sanford:
Our Own JJ braved the elements for New York City Opera’s outdoor concert of Magic Flute. [NYP]
“As the East Village gentrifed over the past decade, gone are the punk-rock club, the dive bar, the crack den . . . the opera house.” Our Own JJ marks the finale of Amato Opera. [NYP]
“Renee Fleming, 50, allegedly snatched a MasterCard from the victim’s pocketbook in the Green Café on West 57th Street near Sixth Avenue at 2 p.m. on April 15.” [via NY Post; thanks to williams!] UPDATE: According to an email from Mary Lou Falcone (RF’s publicist), it’s a different, non-operatic Renee Fleming the Post was talking…
“Garanca gave us all the notes, but none of the volts.” Our Own JJ reviews the Met’s revival of La cenerentola in the New York Post.
“Instead of pondering moral issues, the audience marvels that styrofoam can be made to look so much like granite.” Our Own JJ reviews the Met’s Ring in the New York Post. For the convenience of the cher public, La Cieca will point out that the Post has a section for comments following the review.
Life sometimes does imitate art, or anyway bad art. La Cieca notes in today’s New York Post a story about a wedding interrupted when the bridegroom’s boss suddenly shouted that she had slept with the groom. As any hack librettist will tell you, this is a great excuse for the big third-act concertato.
Yes, La Cieca realizes it was all hashed out a week ago here in the blogosphere, but Daniel J. Wakin of the New York Times has finally got around to transcribing the New York City Opera’s press release about its new season. As you all know, the season opener will be Esther, starring Lauren Flanigan.…
Sponsored
Reach your audience through parterre box!
parterre box, “the most essential blog in opera” (New York Times), is now booking display and sponsored content advertising for the 2023-2024 season. Join Carnegie Hall, Lincoln Center, Warner Classics and many others in reaching your target audience through parterre box.
