Angels in America reimagined as an actual, full-blown opera.
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New York City Opera’s 2017/2018 season will offer four new mainstage productions at Jazz at Lincoln Center’s Rose Theater,
Antonio Literes, a boy soprano from Majorca, had, we may presume, friends in high places.
La Campana Sommersa (The Sunken Bell), which is being presented by the New York City Opera at the Rose Theater through April 7, is a true oddball.
Last evening’s scorching performance of Fallujah by the New York City Opera demonstrated that sometimes impact is not limited by physical proximity.
The production will also mark a notable New York City Opera debut with the role of the Old Lady played by Linda Lavin.
“Just as every downtown shopping street in every major American city now features the same familiar retailers’ names, New York City Opera has no particular artistic identity different from, say, Opera Carolina.”
Daniel Catán’s Florencia en el Amazonas at NYCO charts the emotional trajectory of seven characters aboard a ship called the El Dorado.
The Péter Eötvös adaptation of Angels in America—as well as Candide and such rarities as La campana sommersa and Los Elementos—are highlights of the New York City Opera’s 2016-2017 season.
New York City Opera will complete its season with “three major premieres.”
“The reorganized company’s first several seasons would present productions ‘already judged an artistic success and box-office favorite’ elsewhere, such as Bizet’s Carmen and Streetcar Named Desire.”
The New York City Opera saga apparently wasn’t quite dramatic enough, so now there’s a new plot twist thrown into the mix.
Thanks to La Cieca’s extensive network of spies, she is able to present for your perusal, cher public, the proposal for the revival of the New York City Opera presented by the higher bidder for the company.
“The board of the bankrupt New York City Opera says it wants to sell its name and other assets to the bidder whose offer is lower than the competing bid.”
Our own Jungfer Marianne Leitmetzerin delves back into those days when there was another opera company in New York, and (what’s more) the opera done there was worth hearing.
At Camille‘s request, here’s some all-American Bellini from our dear Jungfer Marianne Leitmetzerin: a live performance of I puritani from New York City Opera featuring Beverly Sills.
So, cher public, have you heard about this fabulous new plan to revive the New York City Opera under the direction of Michael Capasso?
An auction of the meager remains of the bankrupt New York City Opera’s property musical instruments, some bits of scenery and costumes is scheduled for December 12.
“Opera America, a service organization for opera companies, has expressed interest in purchasing City Opera’s thrift shop…”
When Mr. Steel asked Mr. Koch if he could make further gifts to save the company, Mr. Koch demurred, telling Mr. Steel that the Marshall family might be less than pleased.
“New York City Opera, created 70 years ago as the ‘people’s opera,’ expects to file for bankruptcy protection on Oct. 2 and either liquidate in court or be sold to another institution, its lawyer said.”
“Today, an email from General Manager and Artistic Director notes… ‘We have just finished our successful run of Anna Nicole, and raised $2 million towards our target of $7 million, however there is only one day left to make a difference and help keep NYC Opera in business’.”
“City Opera had waited too long to reinvent itself, Mr. Steel said. ‘I wish we had gotten to the business at hand faster’.” [Wall Street Journal]
“Steel’s 2011 compensation, $340,000, while down 10 percent from the previous year, amounted to a third of ticket sales.”
Sponsored
Win tickets to Piotr Beczala at Carnegie Hall!
pb—with our friends at Carnegie Hall—is giving away two tickets to PB’s December concert. Enter now!
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