This photo by Nancy Palmieri for The New York Times illustrates a review of Karol Szymanowski’s King Roger, a production that even Tony Tommasini thought was just too gay. Perhaps the cher public have ideas for an alternative caption for this photo?
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In celebration of the recent Tony Award for Best Actor in a Musical, the New York Times puts their best man on the case, with exactly the adjective-engorged result you might predict: Out of Opera’s Cradle, Hunky Broadway Babies. “Back then, audiences were willing to lean forward and pay attention.”
Those of you who who worry that the New York City Opera gets less than favorable coverage in the New York Times may now cease and desist your fretting. Gérard Mortier hasn’t even come yet, but Tony Tommasini is already licking his lips at the prospect of all that “brilliant, unabashedly provocative” Belgian goodness: As someone who has…
Readers of this morning’s New York Times were privileged to be present at what might be called “the birth an an idée fixe” — that is, Tony Tommasini‘s new obsession. Oddly enough, this new object of TT’s unremitting fascination isn’t something in pants, or, for that matter, something that just wriggled out of its pants. Let’s…
“A bare-chested prisoner, suspended upside down from a rope tied to his ankles, is pushed back and forth by brutish guards with clubs as if he were a human piñata.”
“Camilla” is presumably “charismatic, vocally robust … uncommonly dashing and cagey” Luca Pisaroni. [NYT]
” . . . he embodied Wozzeck, giving so much that by the end, after Wozzeck murdered Marie in a jealous fit, Mr. Keenlyside had perspired through his shirt.”
A loyal member of the cher public noticed this howler by Need You Ask in the online NYT earlier today: Unfortunately for La Cieca (and, well, yes, for anyone else with journalistic standards — so sue me!) the Times has already managed to do one of their “Ministry of Truth” numbers on the offending paragraph…
The most official-looking word La Cieca can find on Saturday afternoon’s Tristan HD adventure is here — and so, it seems, she was half right: Robert Dean Smith will sing the one performance, but only the one. Now, this was just an instinct before the online evidence was presented to her, but your doyenne was…
Well, actually, yes, now you do. The New York Times is no longer the only major metropolitan daily whose music critic drools all over opera singers of the masculine persuasion. La Cieca is delighted to introduce the verbal stylings of David Mermelstein, who apparently is that gay man who has heretofore been trapped inside the…
La Cieca offers a most heartfelt “bravi” to her colleagues over at Barihunks, the website devoted to ogling the most bodacious of bods among the lower male voice types. This week they have managed to snag a New York Times scribe to pen one of their panting puff pieces: His good looks, trim physique and…
No doubt about it, Stephanie Blythe needs to get another picture taken for the New York Times. (It was unflattering enough the first time around.) On the other hand, it’s nice to have a general manager who says things like “I worship the ground Stephanie Blythe walks on,” and (ever adept at providing a mini-scoop)…
La Cieca, being a very girly sort of girl, is not so good at math, so she is asking you, cher public, to help her with this diffy word problem. So, pick up your Number 2 pencils, and begin. According to the New York Times, when you add all these things together: ….burly presence, effortless power and…
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