Soprano Ailyn Pérez has been named the recipient of the 11th annual Beverly Sills Artist Award for young singers at the Metropolitan Opera.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
La Cieca hears that Joseph Calleja will sing Pollione opposite the Norma of Anna Netrebko at the Met for opening night 2017.
That Placido Domingo and James Levine, the Met’s inexorable septuagenarians, would team up yet again—on April Fools’ Day, no less—for a revival of Verdi’s Simon Boccanegra occasioned an uncomfortable degree of doubt and dread.
“This story has been revised to correct production was Giancarlo del Monaco‘s, not Elijah Moshinsky‘s.”
After five flops in a row, Mr. McVicar continues to win new assignments from the Met.
During its first-ever Roberto Devereux Thursday evening one felt transported back to the Volpe years: four of the Met’s biggest stars shining in an opulent (if occasionally perverse) but reassuringly non-challenging production paid for by Sybil B. Harrington.
Welcome, cher public, to the real-time chat for this evening’s Met premiere of Roberto Devereux, starting at 7:55 PM. Photo: Ken Howard/Metropolitan Opera
Crack open a bottle of Bordeaux and enjoy this afternoon’s “La Casa della Cieca” chat during the Met broadcast of L’elisir d’amore.
“Join me this Friday at The Metropolitan Opera for the next #FUN40”
Without fail, all nine finalists had nice clear ringing voices. Whether they develop into great artists is another question.
As portrayed by Vittorio Grigolo, Nemorino was a manic self-absorbed, probably bipolar, stalker who—against all odds and good sense—gets the poor girl.
These days a cadre of voluble opera-goers regularly issues dire warnings that anyone about to attend this or that production at the Met should close her eyes and just listen rather than witness yet another Peter Gelb regie “atrocity.”
Anna Netrebko and Latonia Moore (pictured) rekindle “The Grand Opera Buzz.”
It took the better part of a decade—including two high-profile cancelations—or New York to finally hear Anna Netrebko in recital.
Ana María Martínez will sing Cio-Cio-San in Puccini’s Madama Butterfly on February 27 and March 5.
“Friday night’s triumph may well leave the Met’s management wondering how it let such a gem slip through its fingers.”
Anna Netrebko‘s sold-out recital at the Metropolitan Opera House on Sunday afternoon will be broadcast on SiriusXM Met Opera Radio, channel 74.
Ana Maria Martinez’s tremendously impressive Cio-Cio-San dominated the season premiere of Puccini’s Madama Butterfly at the Met.
“Mr. Eyre’s production… was just another in a series of ugly, gargantuan stagings signaling the Met’s endemic lack of imagination or artistic ambition.”
The Met’s 2016-2017 season opens on September 26 with a new production of Wagner’s Tristan und Isolde, conducted by Sir Simon Rattle.
Sir Richard Eyre’s new Manon Lescaut at the Met Friday night demonstrated no particular aptitude for opera.
Welcome, cher public, to the real-time chat (or at least commentary) for tonight’s Met premiere of Manon Lescaut, starting at 7:55 PM ET on Listen Live.
With February 14th falling on a Sunday, there will be no Valentine’s Day Met performance this year.
“Mr. Luisi won praise replacing Mr. Levine time after time, particularly in a costly version of Wagner’s Ring cycle—though, perhaps in a sign of the situation’s delicacy, the two conductors have never met in person.”
A Baroque Valentine’s with Opera Lafayette | Feb | DC & NYC
Celebrate love in all its guises with tender ballads, amorous duets, cheeky verses, and bawdy drinking songs plus food, cocktails and wine.
STEMdiva status
Ahead of a special boozy, bawdy Valentine’s Day concert, artistic director of Opera Lafayette Patrick Quigley speaks with soprano Maya Kherani about her journey from MIT to rising American Baroque star.