I wonder why many New Yorkers have been led to believe that the only Handel conductor in the world is Harry Bicket.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
I don’t usually attend a performance of an opera I’ve known well most of my life expecting a revelation.
Sunday afternoon at Carnegie Hall two remarkable slices of soprano-heaven were served up, first by Carolyn Sampson and then by Erin Morley, during the second act of Handel’s Orlando.
