“…whenever he was joined by the baritone Simon Keenlyside, who sang Rodrigo, the Marquis of Posa and Carlo’s devoted friend, Mr. Alagna opened up in every way.” Well, wouldn’t you? [NYT]
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“A Zeffirelli, dopo le polemiche della vigilia che lo hanno opposto al soprano Daniela Dessì, da lui ritenuta non giusta per il ruolo di Violetta in questa Traviata, qualche dissenso misto agli applausi al momento di comparire in proscenio assieme a Gelmetti.” [Il Messaggero]
Call this Prima Donna: The Opera: The Documentary: The Trailer. Plus it includes a glimpse of tween Rufus playing Scarpia.
Have you heard the most recent update on the Franco Zeffirelli outburst earlier this week at the Rome Opera?
[kml_flashembed movie=”http://www.youtube.com/v/Obp0PAZB108″ width=”425″ height=”350″ wmode=”transparent” /]
Calixo Bieito? Over! Peter Konwitschny? Yesterday’s news! And David McVicar? Head for the showers! The new home of cutting-edge Regie is in little Seattle, my god, and who could have devised so utterly innovative and openly homoerotic take on Salome? Our Own Wenarto, of course!
So, who said this? “… all opera hovers on the border of parody. No other performing art — except possibly dance — so exposes its practitioners to ridicule. Part of the thrill of opera is pitting sheer volume against human limitations, the constant awareness of the possibility of failure.” Was it James McCourt? Ethan Mordden?…
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