A wayward bouquet conked Kristine Opolais on her noggin during the ovation Friday night in La Rondine—but that was the only mishap in the Latvian soprano’s spectacular Met debut.
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One quick way to warm up: Watching tenor heartthrob Roberto Alagna.
After an uneven start to the season, the Met brought its A game Friday to a superb revival of Mozart’s La Clemenza di Tito.
You may recall a couple of weeks ago La Cieca spoke to Giuseppe Filianoti about the “lost” aria from Cilea’s L’arlesiana he had reconstructed to include in a concert performance of the opera.
When Giuseppe Filianoti isn’t busy being one of the world’s more versatile tenors, he plays detective.
