dvd

Czech mate

At first glance, Ivor Bolton, Chief Conductor of the Mozarteum Orchestra Salzburg, would seem an odd choice to lead Jenufa, Janacek’s grim tale of infanticide and oppressive village morality.

By 11 comments

Questo Weimar rosso

The case for this DVD production of Puccini’s La Boheme from Opera Australia is all about the “inspired concept” of director Gale Edwards to move this oft-told tale from 1840’s Paris all the way to the Berlin at the end of Weimar-era Germany. Hmmm.

By 14 comments

If I only had a harp

Capriccio skates along on a fine line between a fascinating idea-driven debate about the purpose of art in the wider world and a rather fussy narrow debate about text and music interesting only to those interested in opera as theatre.

By 85 comments

Golden shower

“This is the end of Western culture,” Richard Strauss proclaimed after a rehearsal of his penultimate opera Die Liebe der Danae, in Salzburg in 1944. The octogenarian composer, increasingly on the outs with the Nazis and switched off from contemporary music currents, could well have identified with his protagonist Jupiter, a once-mighty God caught up in an off-kilter […]

By 10 comments

Anna squared

I’ve been a big fan of Donizetti’s Anna Bolena since I first heard it on recording and have always felt that it deserved a definitive recorded performance. Here’s a brief tour of why this hasn’t happened. There’s the Bible, also known as the live Scala relay with Callas and Simionato and musical cuts so egregious […]

By 33 comments

Banal on the canal

At one time, the idea of a performance of La Gioconda conjured up images of over-the-top, competitive, passionate vocalism, and big personalities. As a vehicle for great singers (and especially a great protagonist), it was thrilling.

By 67 comments

Absolute assoluta

Only because I am a member of the You Can Never Have Too Much Callas School of Opera Listening can I recommend EMI’s new release The Callas Effect.  The beautifully packaged production is the size of a small paperback book and consists of two CDs with 29 arias sung by Callas plus a new 70-minute […]

By 61 comments

I am a camera

I would never have imagined that the story of Anna Nicole Smith could be today’s entry in a long line of opera’s “fallen women”—pop culture’s reinvention of Violetta, Manon Lescaut, and Lulu.  But that is indeed what composer Mark-Anthony Turnage and librettist Richard Thomas have created in Anna Nicole, commissioned by England’s Royal Opera House […]

By 36 comments

Splendidissima!

A 1989 production of Verdi’s Un ballo in maschera should have been another jewel in Herbert von Karajan’s already quite impressive crown.  A stellar cast, an impeccable orchestra, an enormous period set –the grand opera of Salzburg under his regime.  He had recently finished a studio recording with the cast, and was preparing them for […]

By 71 comments

Peak performance

Robert Schumann said he devoted more love and energy to Manfred than any of his other compositions. It took him only about a month in 1848 to adapt a translation of Byron’s semi-autobiographical poem about a guilt-ridden noble into a program consisting of an overture and 15 pieces for chorus, orchestra and spoken voice. Schumann was […]

By 1 comment

Not quite Godunov

In the fall of 2010, director Andrei Konchalovsky and conductor Gianandrea Noseda struck up a collaboration for a new production of Mussorgsky’s Boris Godunov, to be performed at Teatro Regio Torino, co-produced with Palau de les Arts Reina Sofia of Valencia and Fondazione Lirico Sinfonica Petruzzelli e Teatri di Bari. 

By 7 comments

Ship of fool

After the Georges Antheil opera that was my first assignment from La Cieca, I have to confess feeling slightly relieved when I opened the parterre package to find: Billy Budd!  And not only a Billy Budd, but one starring John Mark Ainsley!  The rest of the cast looked similarly starry (pardon the pun), so I […]

By 20 comments

Venus of Barcelona

Tchaikovsky’s Queen of Spades straddles two genres. With a macabre plot that explores the boundaries of human obsession, it’s an early psychological thriller that makes the audience engage in a kind of voyeurism Alfred Hitchcock loved. Yet the plot drawn from Pushkin and the striking Romantic score with its references to Mozart, Bizet and Grétry firmly […]

By 23 comments

Blind devotion

Danish composer Poul Ruders, having been deeply moved by Lars von Trier’s 2000 film Dancer in the Dark, used his third commission from the Royal Danish Theatre to create a 75-minute opera based on this tragic story of a mother’s sacrifice to save her son from hereditary blindness.  The result is a small masterpiece, renamed […]

By 4 comments

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