It seems our lovely Shequida was not what the judges were looking for, not that night, anyway. [kml_flashembed movie=”http://www.youtube.com/v/atilzaDBVcg” width=”425″ height=”350″ wmode=”transparent” /] Â
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My dears, you only thought the whingeing about the Met ticket exchange line was over. Now that the shell-shocked and frostbitten survivors of the Gelb Gulag have dragged themselves back to their rent-controlled flats on upper Columbus Avenue, the next stage of the protest against the Met’s barbaric practices can begin. As in every violent…
This photo by Nancy Palmieri for The New York Times illustrates a review of Karol Szymanowski’s King Roger, a production that even Tony Tommasini thought was just too gay. Perhaps the cher public have ideas for an alternative caption for this photo?
Let us put away gloomy thoughts for a while and enjoy the singing, acting, dancing and costume-changing skills of inimitable Anna Moffo. [kml_flashembed movie=”http://www.youtube.com/v/DfM4GxzNYWc” width=”425″ height=”350″ wmode=”transparent” /]
It took 60 guesses and a hint or two, but one of the cher public did indeed guess the opera depicted in the previous Regiequiz. Congratulations to mafketis, who somehow managed to see Il trovatore lurking behind the Hercule Poirot drag. The production of the Verdi warhorse was directed by Philipp Kochheim for the Staatstheater…
A featurette that just mysteriously appeared in La Cieca’s inbox. [kml_flashembed movie=”http://www.youtube.com/v/kQqPauyGiVU” width=”425″ height=”350″ wmode=”transparent” /]
Verdi’s La Traviata opens the season and will run July 18 through August 25. Arguably Verdi’s most popular work, it returns to the Glimmerglass Opera stage after 20 years in a new production directed by Jonathan Miller Yes, that’s right, the oft-retired Dr. Miller has been dragged kicking and screaming into the opera arena yet…
La Cieca would not venture to say which of the many selections on the Jessye Norman – A Portrait DVD is the funniest. But this one is certainly right up there. [kml_flashembed movie=”http://youtube.com/v/8noeFpdfWcQ” width=”425″ height=”350″ wmode=”transparent” /] Also, though it’s been said before, it bears repeating:
From an email promo for Washington National Opera’s current production of Elektra: See Susan Bullock and Christine Goerke Sing Elektra! Washington National Opera stars Susan Bullock and Christine Goerke are featured in these extended excerpts and interviews from a recent production of Strauss’ Elektra in Florence, Italy, directed by Robert Carsen and conducted by Seiji…
[Our Own Gualtier Maldè reports from this afternoon’s dress rehearsal of La Fille du Régiment] The Met has another hit on its hands — though not a totally new one, this production and cast already having triumphed at Covent Garden and the Vienna Staatsoper. Laurent Pelly (who vies with Davide Alagna and Mark Streshinsky as…
Two of the cher public (thanks, Paul and Michael!) have tipped La Cieca to what may be the ne plus ultra of operatic Regie, a new production of Un ballo in maschera in Erfurt. According to an article in the Telegraph, This “different . . . provocative” staging of the Verdi warhorse sets the tale…
More years ago than La Cieca would care to say, dear Gertie Dammerung wrote an hilarious parody of the song “Lydia the Tattooed Lady” which La Cieca published in the dimly-remembered print version of parterre box. Time passes. Then, only yesterday, La Cieca received an email from equally dear Hans Lick enclosing an updated version…
Our left coast correspondent Baritenor reports: I would not call Grendel an opera for the faint-hearted. The libretto is well-written, but the score jumps to both ends of the operatic spectrum, going from lyrical to modernistic to lyrical again in the blink of an eye. Think Benjamin Britten on crack, if you will, only with…
Joseph Volpe‘s memoir The Toughest Show on Earth (see, La Cieca can get the title right when she wants too) is a book about a working-class kid from Queens who wanted to be Rudolf Bing when he grew up. Or, rather, it’s about a stage carpenter who was bright enough and ambitious enough to do…
Soprano Mariella Devia — who La Cieca thought was such a sweet ingenue type — turns tigress for the title role of Lucrezia Borgia (Donizetti). This live performance from 2003 also features Daniela Barcellona (Maffio Orsini), Marcelo Alvarez (Gennaro) and Michele Pertusi (Don Alfonso, Duca di Ferrara) under the baton of Renato Palumbo. The Prologue…
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