“Hey. Sorry to trouble you. I was wondering if I could have a word with my client.”

Doomed Lucia di Lammermoor was only halfway through her Mad Scene at the time of the incident. 

For tonight’s distinguished premiere of Lucia di Lammermoor at the Algonquin Opera, there would in fact be far more blue hairs in the audience than blue collars.

Even dauntless Evan Ingersoll felt his nerves beginning to mount.

Evan clicked over to the his favorite music critic’s weekly column, “Slings and Arias.” 

Walls of tinted glass engirdled a heated portico-terrarium, where two figures could be seen polishing off the last of their Crêpes Suzette.

“Have you seen the lawsuit yet?”

They all wished, for reasons at once superstitious and deeply misguided, to avoid over-rehearsing the sextet.

At last, Jesús Halévy had found the right size. The small ecru sweater was buried beneath a stack of extra-larges at the Macy’s on Herald Square.

Supernumerary callbacks for the Big Apple Singing Theater Association’s spring production of Bison Don’t Cry were held later that night at the Mariachi Playhouse.

As if the corner of Broadway and 53rd weren’t already busy enough, Evan Ingersoll couldn’t believe the line leading into the Mariachi Playhouse where BASTA tryouts were held.

The day of the big BASTA audition, Evan found the flier Paul Upczuk had passed him the previous weekend at Aura Bar.