“Ms. Netrebko, 43, spoke about her willingness to take risks…”
Given Anna Netrebko‘s continuing success at the Met in Macbeth (as evidenced by an mid-scene “brava” in last night’s Sirius broadcast), it’s time to think about the future—specifically her local assignments for next season.
Wednesday brought the Met’s “real” season opener, an indelible, indispensable night at the opera: a starry revival of Verdi’s Macbeth crowned by Anna Netrebko’s demented Lady.
Cher public, you may remember that about 18 years ago a parterre writer called Dr. Repertoire came up with a handy list of rules for stage directors.
More Anna Netrebko, and all that means, tomorrow at 10 AM EDT, cher public, as the Salzburg Festival production of Il trovatore is webcast over medici.tv.
Sleeveless Anna Netrebko sings the “Letter Scene” from Verdi’s Macbeth.
“Anna Netrebko (Leonora) is seen during the Il Trovatore photo rehearsal on August 4, 2014 in Salzburg, Austria.”
This week, Our Own Jungfer Marianne Leizmetzerin turns her vigilant ears to the recent past to take in a performance of Il trovatore featuring Anna Netrebko and Plácido Domingo.
Starting in less than half an hour, “Le Concert de Paris.”
Never let it be said that La Cieca does not pamper her cher public. After the jump, and exclusively on the web, listen to the role debut of Anna Netrebko in Verdi’s Macbeth.
If Facebook is to be believed, Anna Netrebko and “Azerbaijani tenor Yusif Eyvazov (age 37)” are engaged.
Your Own La Cieca has emerged from semi-retirement to present the 2014 Pubie Awards.
Our dear and invaluable Jungfer Marianne Leitmetzerin offers us a new classic this week, a live recording of Anna Netrebko‘s collaboration with Riccardo Muti on Manon Lescaut.
Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure.
Pytor Ilyich Tchaikovsky’s Eugene Onegin is his masterwork and its themes of social convention and unrequited longing surely struck a deep chord in a composer who, in late 19th century Russia, was gay and had to conduct himself carefully.
According to the Facebook page of tenor Yusif Eyvazov (Des Grieux to Anna Netrebko‘s Manon in the Rome Opera Manon Lescaut), the two are “engaged.”
The highlight of the Bayerische Staatsoper’s 2014-2015 season is a new production of Manon Lescaut featuring Anna Netrebko and Jonas Kaufmann, directed by Claus Guth.
Anna Netrebko sings “Sola, perduta, abbandonata” from Manon Lescaut at the Rome Opera, Riccardo Muti conducting.
“Kim Kardashian Reportedly Ditches Date at Vienna Opera Ball After Disturbing Blackface Incident”
Given the no-show of Anna Netrebko at the final dress rehearsal of L’elisir d’amore, the recent rift in the Netrebko-Schrott household and this insane weather, La Cieca thinks it’s time for the hive mind to decide who’s singing Adina at the Met on Thursday night.
Weltstardiva Anna Netrebko plays a basement in Greenwich Village next month.
Soprano Anna Netrebko and bass-baritone Erwin Schrott have amicably ended their relationship after six years because of their “demanding schedules and the resulting constant time apart.”
Berliners anxious about casting of the Staatsoper’s new staging of Il trovatore since Aleksandrs Antonenko canceled can breathe a sigh of relief, since tenor Gaston Rivero (pictured) will jump in as Manrico.
La Cieca hears that Anna Netrebko and Erwin Schrott are going their separate ways. Expect an official announcement within a day or so.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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